European Literature

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Allan Krasnik - One of the best experts on this subject based on the ideXlab platform.

  • migrants utilization of somatic healthcare services in europe a systematic review
    European Journal of Public Health, 2010
    Co-Authors: Marie Norredam, Signe Smith Nielsen, Allan Krasnik
    Abstract:

    Background : Utilization of services is an important aspect of migrants’ access to healthcare. The aim was to review the European Literature on utilization of somatic healthcare services related to screening, general practitioner, specialist, emergency room and hospital by adult first-generation migrants. Our study question was: ‘Are there differences in migrants’ utilization of somatic healthcare services compared to non-migrants?’ Methods : Publications were identified by a systematic search of PUBMED and EMBASE. Appropriateness of the studies was judged independently by two researchers based on the abstracts. Additional searches were conducted via the references of the selected articles. The final number of studies included was 21. Results: The results suggested a diverging picture regarding utilization of somatic healthcare services by migrants compared to non-migrants in Europe. Overall, migrants tended to have lower attendance and referral rates to mammography and cervical cancer screening, more contacts per patient to general practitioner but less use of consultation by telephone, and same or higher level of use of specialist care as compared to non-migrants. Emergency room utilization showed both higher, equal and lower levels of utilization for migrants compared to non-migrants, whereas hospitalization rates were higher than or equal to non-migrants. Conclusion: Our review illustrates lack of appropriate epidemiological data and diversity in the categorization of migrants between studies, which makes valid cross-country comparisons most challenging. After adjusting for socio-economic factors and health status, the existing studies still show systematic variations in somatic healthcare utilization between migrants and non-migrants.

Gerliakienė Veronika - One of the best experts on this subject based on the ideXlab platform.

  • Taikomosios emblemos Vilniaus bažnyčiose ir jų literatūriniai šaltiniai
    'Vilnius University Press', 2015
    Co-Authors: Gerliakienė Veronika
    Abstract:

    This article deals with applied emblems found in open Vilnius churches, decorated in the 16th–18th centuries. There are twenty–seven decorative emblems placed on the ceilings and arches of the churches. The verbal part of these emblems, called inscriptio or lemma, is the object of the article.In the 16th century when European Literature was enriched with a new genre of emblem, the artists and craftsmen began to use these emblems as a decorative element in their works such as jewelry, armours, carpets, bells, plates, furniture etc. The same phenomenon is seen in the decoration of Vilnius churches.Our research proved that people who worked out the idea of the decoration of the church used two sources for decorative emblems – the Bible (a short quotation from the Bible was used as an inscription) and well-known literary emblems. Speaking about the latter source, some decorative emblems are exact copies of the works of famous 16th century writers, where inscription, icon and concept are taken without any changes. Others show variations on popular literary emblems of that time. Modifications could appear both in verbal and in visual part, thus entirely changing the idea of the emblem

Veronika Gerliakienė - One of the best experts on this subject based on the ideXlab platform.

  • Taikomosios emblemos Vilniaus bažnyčiose ir jų literatūriniai šaltiniai | Applied emblems in Vilnius churches and their literary sources
    Vilnius University, 2005
    Co-Authors: Veronika Gerliakienė
    Abstract:

    This article deals with applied emblems found in open Vilnius churches, decorated in the 16th–18th centuries. There are twenty–seven decorative emblems placed on the ceilings and arches of the churches. The verbal part of these emblems, called inscriptio or lemma, is the object of the article.In the 16th century when European Literature was enriched with a new genre of emblem, the artists and craftsmen began to use these emblems as a decorative element in their works such as jewelry, armours, carpets, bells, plates, furniture etc. The same phenomenon is seen in the decoration of Vilnius churches.Our research proved that people who worked out the idea of the decoration of the church used two sources for decorative emblems – the Bible (a short quotation from the Bible was used as an inscription) and well-known literary emblems. Speaking about the latter source, some decorative emblems are exact copies of the works of famous 16th century writers, where inscription, icon and concept are taken without any changes. Others show variations on popular literary emblems of that time. Modifications could appear both in verbal and in visual part, thus entirely changing the idea of the emblem

Marie Norredam - One of the best experts on this subject based on the ideXlab platform.

  • migrants utilization of somatic healthcare services in europe a systematic review
    European Journal of Public Health, 2010
    Co-Authors: Marie Norredam, Signe Smith Nielsen, Allan Krasnik
    Abstract:

    Background : Utilization of services is an important aspect of migrants’ access to healthcare. The aim was to review the European Literature on utilization of somatic healthcare services related to screening, general practitioner, specialist, emergency room and hospital by adult first-generation migrants. Our study question was: ‘Are there differences in migrants’ utilization of somatic healthcare services compared to non-migrants?’ Methods : Publications were identified by a systematic search of PUBMED and EMBASE. Appropriateness of the studies was judged independently by two researchers based on the abstracts. Additional searches were conducted via the references of the selected articles. The final number of studies included was 21. Results: The results suggested a diverging picture regarding utilization of somatic healthcare services by migrants compared to non-migrants in Europe. Overall, migrants tended to have lower attendance and referral rates to mammography and cervical cancer screening, more contacts per patient to general practitioner but less use of consultation by telephone, and same or higher level of use of specialist care as compared to non-migrants. Emergency room utilization showed both higher, equal and lower levels of utilization for migrants compared to non-migrants, whereas hospitalization rates were higher than or equal to non-migrants. Conclusion: Our review illustrates lack of appropriate epidemiological data and diversity in the categorization of migrants between studies, which makes valid cross-country comparisons most challenging. After adjusting for socio-economic factors and health status, the existing studies still show systematic variations in somatic healthcare utilization between migrants and non-migrants.

Tiina Ann Kirss - One of the best experts on this subject based on the ideXlab platform.

  • Pegasus ja puuhobune. James Joyce’i „Kunstniku noorpõlveportree” ja Friedebert Tuglase „Felix Ormusson”. Pegasus and the Wooden Horse: James Joyce’s Portrait of the Artist as a Young Man and Friedebert Tuglas’ Felix Ormusson
    University of Tartu and Estonian Literary Museum, 2012
    Co-Authors: Tiina Ann Kirss
    Abstract:

    Friedebert Tuglas’ Felix Ormusson and James Joyce’s Portrait of the Artist as a Young Man were finished in the same year – 1914, but the writing of both novels took the writers almost a decade, a time of searching and exile for both of them. Joyce completely rewrote the initial draft of his novel, entitled Stephen Hero, experimenting with basic forms, such as the short prose piece he called the ”epiphany”. Tuglas’ Felix Ormusson was initially conceived as a three-volume picaresque novel, which was distilled into a single volume of prose fragments arranged as a diary novel: the rest was left unfinished, and exists only in the form of two novella-length fragments. A comparative juxtaposition of the two novels is suggestive, not just because of parallels between the authors’ life trajectories and creative biographies, nor because of similarities between the protagonists, not even by the somewhat deceptive placement in the rubric of the 'Künstlerroman'. Both novels partake of ironic autobiography, and both resonate with the subgenre of the ”diary novel”, increasingly in vogue in European Literature of the fin-de-siècle, modelled in turn on the published journal intime. Felix Ormusson and Stephen Dedalus were their authors’ long-time fictional fellow travellers, alter ego’s, in whose confessions one can read the pressing desire to emerge from the provinces and peripheries of Europe toward broader, metropolitan cultural horizons. The protagonists’ quests open onto the problematics of modernism – the split between life and Literature, and the burden of ”overreflexivity” which obstructed literary creation and sentimental education. Behind the aesthetic polemics of both novels are shadows of the politics of the era: for Felix Ormusson, the aftermath of the 1905 revolution and political exile, and in the milieu of young Stephen Dedalus, the entanglement of national politics and the Catholic church. In the first part of the article, both Tuglas’ and Joyce’s novels are considered in terms of their swerving away from the genre of the 'Künstlerroman', and the representation of the problem of the self. The language of Felix Ormusson’s diary is a conflicted mixed style, full of quotations, cliches and images that move restlessly back and forth between the registers of the ”country hick” (mats) and the imitated ”city slicker” (vurle). The opposition of ”hick” and ”slicker” is also played out in the love triangle with the two sisters Helene and Marion, and Felix’s opposition to his friend Johannes. ”Over-reflexivity” culminates in Felix’ banal flight from the scene of his abortive summer romances at the end of the novel. For Joyce’s Stephen Dedalus, rebellion and self-creation grow out of the painful initiation experience of the Jesuit retreat in the centre of the novel, which catalyzes his rejection of church and faith, and the embracing of a secular aesthetic quest through the obird-girl” episode on the beach near Dublin. The second part of the article frames both novels generically in relation to the modern diary novel: if Felix Ormusson could be considered an imitation of the journal intime form, Stephen Dedalus arrives at the diary at the threshold of self-defining exile. The third part of the article compares the meanings of exile, nationalism and aesthetic cosmopolitanism in Tuglas’ and Joyce’s novels.