The Experts below are selected from a list of 207 Experts worldwide ranked by ideXlab platform

Amandine Pras - One of the best experts on this subject based on the ideXlab platform.

  • How to draw out the best musical performance: best practices for studio recording in the digital era
    2012
    Co-Authors: Amandine Pras
    Abstract:

    This thesis aims to identify best practices for musical recording, involving the capture of multiple takes of a musical work in studio. Digital technologies and Internet file sharing have brought the recording industry to a transitional phase in which studio professions (Sound Engineer and record producer) need to be reinvented. To better understand the impact of technological advances on recording production, there is a critical need to investigate studio practices and studio professional's tacit knowledge, an area that has received scant attention in the academic research. This investigation lies at the intersection of knowledge management, and cultural and media studies. It is based on the theoretical concept of mediating roles in artistic creation and management.This thesis on studio professionals' practices includes three parts: 1) musicians' expectations when collaborating with studio professions; 2) record producers' best practices; and 3) the impact of record producers' comments on perceived quality. Specifically, this dissertation reports five studies combining surveys addressed to young musicians and Sound Engineers, interviews of experienced record producers who have worked throughout the transition of the recording industry, and studio experiments bringing together musicians and studio professionals. A mixed-design approach was chosen with qualitative (content and discourse) analyses of verbal descriptions and statistical analyses of closed-ended questions.Results show that musicians expect studio professionals to exhibit strong communication and interpersonal skills, and to take into consideration the aesthetics of their project. In response, record producers adapt their level of involvement from light coaching to deeper artistic collaboration according to the musicians' requests and personality. Furthermore, producers' comments between takes give a common ground to the ensemble and enhance musicians' focus throughout the recording session. Taken together, the findings highlighted the fact that recent changes in the music industry have not yet transformed the perceived roles and the recording approaches of Sound Engineers and record producers. However, studio professionals have adapted their organization to budget constraints and challenging conditions to produce high-quality recordings.ivvRecord producers "extend" the ears of the musicians, guide them and provide feedback according to the aesthetic context of the project. Their mediating role between musicians and their audience is similar to the role of actor directors, and comparable with the role of managers in other production contexts. Theoretical investigations with field experiments provided a deep understanding of studio professionals' contribution to the quality of musical recording, hence this thesis contributes to a new methodology for artistic creation studies. On a practical ground, this study of the artistic aspect of recording production can help musicians make informed decisions when hiring studio professionals. On a theoretical ground,…

  • The role of music producers and Sound Engineers in the current recording context, as perceived by young professionals
    Musicae Scientiae, 2011
    Co-Authors: Amandine Pras, Catherine Guastavino
    Abstract:

    As a result of recent technological advances, musicians tend to produce their music themselves in home studios, without necessarily collaborating with a professional producer or a Sound Engineer. To understand how this new paradigm affects musical recordings, we need to study the context of recording sessions involving a producer and a Sound Engineer. In this article we investigate the role of producers and Sound Engineers, as perceived by young professionals actively involved in recording sessions. We collected verbal data from 16 musicians and 6 Sound Engineers, from different countries and backgrounds. Participants were asked to freely define in their own words the role of an ideal producer and an ideal Sound Engineer. Then, we invited them to describe positive or negative experiences they had previously encountered in the studio. We classified their spontaneous descriptions into emerging themes using the constant comparison method. The three main categories referred to mission, skills, and interaction...

Raden Damianus Cosmas Bambang Mulyono - One of the best experts on this subject based on the ideXlab platform.

Jeni Dwi Pangestu - One of the best experts on this subject based on the ideXlab platform.

  • peran Sound Engineer dalam pertunjukanmusik keroncong di rri semarang
    2019
    Co-Authors: Jeni Dwi Pangestu
    Abstract:

    Sound Engineer merupakan seseorang yang bertugas untuk menggabungkan suara-suara dalam bentuk audio Sound system, posisi Sound Engineer berperan penting dalam pertunjukan musik di era modern ini. Banyak kesuksesan pertunjukan musik dinilai dari penataan Sound yang baik. Dalam pagelaran musik Keroncong yang di selenggarakan RRI Semarang, sudah menggunakan peralatan pengeras suara berupa audio Sound system, peran inilah yang dibebankan terhadap seorang yang berprofesi sebagai Sound Engineer. Penelitian ini menggunakan pendekatan kualitatif. Teknik pengumpulan data meliputi observasi, wawancara, dan dokumentasi. Teknik pemeriksaan data menggunakan triangulasi. Analisis data yang digunakan meliputi reduksi data, penyajian data, dan penarikan kesimpulan/verifikasi. Hasil penelitian menunjukkan Peran Sound Engineer, peneliti akan mengkaji dengan 4 sisi peran Sound Engineer menurut Biddle dan Thomas, sebagai berikut: (1) pengambil bagian, (2) perilaku, (3) kedudukan, (4) kaitan. Dengan hasil akhir diterima dengan audience. Bahwa dalam pertunjukan musik Keroncong di RRI Semarang, peran Sound Engineer dalam pertunjukan musik Keroncong di RRI Semarang ada beberapa tahapan yaitu sebelum pertunjukan (Sound ceck), saat pertunjukan, setelah pertunjukan. Pembagiannya sebagai berikut: (1) Peran Sound Engineer sebelum Pertunjukan Musik Keroncong di RRI Semarang. a) Mengambil bagian Sound Engineer sebelum Pertunjukan Musik Keroncong di RRI Semarang. b) Perilaku Sound Engineer sebelum Pertunjukan Musik Keroncong (Sound check) di RRI Semarang. (2) Peran Sound Engineer saat Pertunjukan Musik Keroncong berlangsung di RRI Semarang. a) Kedudukan Peran Sound Engineer saat Pertunjukan Musik Keroncong berlangsung di RRI Semarang. b) Kaitan Sound Engineer saat Pertunjukan Musik Keroncong berlangsung di RRI Semarang. (3) Peran Sound Engineer setelah Pertunjukan Musik Keroncong berlangsung di RRI Semarang. Saran dari peneliti sebagai berikut.: (1) Sound Engineer hendaknya berkmunikasi terhadap pemusik dan penyanyi jauh-jauh hari, agar tidak terburuburu dalam menyiapkan perlengkapan yang dibutuhkan.

Tatjana Böhme-mehner - One of the best experts on this subject based on the ideXlab platform.

  • Interview with Eckard Rödger, 16 March 2010, Leipzig
    Contemporary Music Review, 2011
    Co-Authors: Tatjana Böhme-mehner
    Abstract:

    Eckard Rodger worked for the radio in Leipzig following his training as a Sound Engineer. He then worked as Sound Engineer for the theatre at the Palast der Republik 1 (TiP) in Berlin, where he developed and oversaw concert series of electroacoustic music and was responsible for the production of numerous electroacoustic works. After the fall of the Berlin wall, he received a tenured professorship in Sound technology at the Felix Mendelssohn Bartholdy College for music and theatre in Leipzig. Rodger worked with renowned musicians from both serious and pop music.

  • Interview with Gerhard Steinke, 12 October 2010, Steinke's apartment, Berlin
    Contemporary Music Review, 2011
    Co-Authors: Tatjana Böhme-mehner
    Abstract:

    Gerhard Steinke, born in 1927, already worked as a Sound Engineer at the Mitteldeutscher Rundfunk, 1 beginning in 1947, prior to studying electroacoustics at the TU (Technical University), Dresden (1949–1953). From 1953 to 1990, he worked in various positions for the RFZ 2 of the German post office, in Berlin Adlershof. From 1956 until its close in the mid-1970s, Steinke managed the newly established research lab for inter-disciplinary problems in musical acoustics, 3 in which, if nothing else, the Subharchord, an electronic musical instrument, was developed. Steinke was a member of various international committees in the area of audiotechnology.

Roa Guarin, Juan Sebastian - One of the best experts on this subject based on the ideXlab platform.

  • Pasantía de Grado en Fox telecolombia
    'Facultad de Artes y Humanidades', 2019
    Co-Authors: Roa Guarin, Juan Sebastian
    Abstract:

    Este escrito es un breve resumen del trabajo y el proceso realizado en la empresa FOXTELECOLOMBIA como ingeniero de sonido en la modalidad de pasantía. Todos lo retos que esta con llevo ,el proceso de aprendizaje están aquí consignados .Se describen tres casos en los que se trabajo durante la pasantía ,siendo estos tres casos series o novelas en las que tuve la oportunidad de participar.Por otro lado se hace una breve descripción de la empresa y sus instalaciones (Estudios de Postproducción).This paper is a brief summary of the work and the process carried out in the company FOXTELECOLOMBIA as a Sound Engineer in the internship modality. All the challenges that this entails, the learning process are listed here. Three cases are described in which I worked during the internship, these three cases being series or novels in which I had the opportunity to participate. On the other hand, a brief description of the company and its facilities is made (Postproduction Studies)