The Experts below are selected from a list of 9 Experts worldwide ranked by ideXlab platform
Khin Khin Si - One of the best experts on this subject based on the ideXlab platform.
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The process of making thin paper used to beat gold into thin leaf of Daun:ma village and Njaunkoun: village in Sagaing Town
2019Co-Authors: Khin Khin SiAbstract:- The first step of making thin paper used to beat gold into thin leaf business was that bamboo growing to in Dazaunmoun: month must be chosen and having one year age in Nadaw month, must be cut. The boiled bamboo thin strips were placed with limestone one upon another in a row and added with water in glazed earthen jar with cover and applied mortar and were fully covered for three years, by which time dried water, often filled with it. After taking bundle of bamboo strips for three years or four years last, lime stones was dirty all over on bamboo strips, were washed with water. Damp and sticky bamboo hearth wood solids were pounded by Buck Deer wood pestle with teak mortar till total number of 3,000 to 3,300 times. The bamboo hearth wood solid will be put on a piece of cloth stretched taut over a frame to get 24 kyat or 22 kyat weight of an available paper. The tank was built of five feet long, 2½ feet wide and two inches thickness. The bamboo hearth wood liquid in cloth stretched taut over a frame was stirred by hand and leveled them with stickler (roller).Rubbish in bamboo hearth wood liquid were picked up by tweezers. The cloth stretched taut over frame, pressed water near its frame forward forcibly by flannel, was kept in the sun at an insinuating way of 45 degree of an angle. The flat-piece of an available paper was folded four rations to length. It was fixed on a flat wood cut-out of six inches long and bit by scissors. The scrap remaining after cutting paper, were dissolved in water and stretched taut a piece of cloth over a frame again. The bundle of available paper contained to 32 sheets totally. The bundle of 25 and 30 leaves had been scrapped, was folded in half and immerse in water for half an hour. Paper used to beat gold into thin leaf, was placed in Deer water bag and put in by water for four hours and brought to a proper consistency and warmed.
Michael J. Manfredo - One of the best experts on this subject based on the ideXlab platform.
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A Panel Design to Assess the Effects of Regulatory Induced Reductions in Opportunity on Deer Hunters’ Satisfaction
Human Dimensions of Wildlife, 2020Co-Authors: David C. Fulton, Michael J. ManfredoAbstract:Beginning in 1992, regulatory changes in Colorado shortened rifle hunting for Buck Deer to the first three days of the combined Deer and elk rifle seasons. These changes represented a severe reduction in season length (40%–75%) and provided an opportunity to examine the impact of dramatic regulatory changes on hunters’ beliefs, satisfaction, and behavior using a panel study design. Data were collected before and after the regulatory changes, from a panel of 1,018 rifle Buck Deer hunters (521 residents and 497 nonresidents). Satisfaction with the rifle Buck Deer hunting experience declined significantly for both resident and nonresident hunters after the new regulations were implemented. Hunters’ beliefs about the consequences of the regulations and their level of support for the regulations explained a relatively large and significant proportion of the change in satisfaction levels. Beliefs about the consequences of and level of support for the regulations were significant predictors of the perceived leve...
David C. Fulton - One of the best experts on this subject based on the ideXlab platform.
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A Panel Design to Assess the Effects of Regulatory Induced Reductions in Opportunity on Deer Hunters’ Satisfaction
Human Dimensions of Wildlife, 2020Co-Authors: David C. Fulton, Michael J. ManfredoAbstract:Beginning in 1992, regulatory changes in Colorado shortened rifle hunting for Buck Deer to the first three days of the combined Deer and elk rifle seasons. These changes represented a severe reduction in season length (40%–75%) and provided an opportunity to examine the impact of dramatic regulatory changes on hunters’ beliefs, satisfaction, and behavior using a panel study design. Data were collected before and after the regulatory changes, from a panel of 1,018 rifle Buck Deer hunters (521 residents and 497 nonresidents). Satisfaction with the rifle Buck Deer hunting experience declined significantly for both resident and nonresident hunters after the new regulations were implemented. Hunters’ beliefs about the consequences of the regulations and their level of support for the regulations explained a relatively large and significant proportion of the change in satisfaction levels. Beliefs about the consequences of and level of support for the regulations were significant predictors of the perceived leve...
Michael D. Hall - One of the best experts on this subject based on the ideXlab platform.
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It's a Very Private Picture
American Art, 1999Co-Authors: Michael D. HallAbstract:Michael D. Hall In the weeks since Bert Hemphill passed away in May of last year, I've spent considerable time thinking about this very special man and his influence on my life. Remembering Bert, I suddenly saw, in my mind's eye, one of the most wonderful paintings in his collection-Stag at Echo Rock. It is a work that Bert referred to as "a very private picture." My epiphany was the realization that in expressing my own private interpretation of this picture, I might publicly share my lasting impressions of Bert Hemphill and his many gifts. Stag is a classic late-nineteenth-century folk art painting by an unknown artist. It depicts a Buck Deer standing in the middle of a country road that winds around a rock formation, turns across a bridge over a small stream, and disappears into the woods beyond. At the lower right of the painting, the heads of two harnessed horses tentatively intrude into the scene. Winter snow blankets the landscape and the startled Buck stands stiff legged in the center of the composition. Staring out at the viewer, the Deer seems uncertain whether to freeze in the path of the oncoming horses, or to flee from them. Bert's favorite adjectives were "wonderful" and "marvelous." He used them both every time he talked about Stag at Echo Rock. For it is, indeed, a picture that inspires wonder, and one that prompts us to marvel at the inventive originality present in the best folk art. Bert profoundly identified with this painting and referred to it as one of the "crown jewels" of his collection. On another level, perhaps he understood it as a visual metaphor for the whole of folk art. We will never really know what he saw, but revisiting this painting we can remember the Bert Hemphill I knew and loved-a man utterly absorbed in his own never-ending enterprise of self-invention and self-discovery. In my view, the Deer that dominates Stag at Echo Rock is one of those awesome prototypical figures that ties folk art to the very nascence of art itself. The stag evokes our real and imagined memories of the bison and Deer that swirl across the cave ceilings at Lascaux. The stag represents everything Bert admired in primitive art. It appears at Echo Rock like a phantom-a creature like the unicorn, more fantastic than real. The stag is much like Bert: shy, elegant, magical. The stag is folk art the way Bert talked about it: mysterious, powerful, nimble, and elusive. There are other metaphors at work as well in the painting, particularly the tangled forest and the road. The road intrudes a human presence and purpose into the landscape. The forest signals the mystery of nature-the natural realm where instinct rules. Bert loved art history and the control that great artists bring to their aesthetic endeavors-
