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Kaffa Kupita - Robby - One of the best experts on this subject based on the ideXlab platform.
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CITRA WANOJA DINA ROMAN PONDOK PILEULEUYAN KARYA YUS RUSAMSI (Ulikan Struktural jeung Feminisme)
2020Co-Authors: Kaffa Kupita - RobbyAbstract:Latar belakang penelitian ini adalah adanya suara perempuan yang tercurahkan dalam sebuah karya sastra yang harus diketahui oleh masyarakat dan memunculkan nilai-nilai yang terdapat dalam diri perempuan melewati karya sastra. Penelitian ini bertujuan untuk mendeskripsikan: (1) struktur cerita dalam roman pendek Pileuleuyan; (2) citra diri perempuan dalam roman pendek Pileuleuyan; dan (3) citra sosial dalam roman pendek Pileuleuyan. Metode penelitian ini adalah metode deskriptif analitik dengan menggunakan studi pustaka. Sumber data yang digunakan adalah sumber dari buku roman pendek Pileuleuyan karya Yus Rusamsi dan sumber lain yang mendukung. Hasilnya, terdapat: (1) struktur cerita yang terdiri dari tema, fakta cerita (alur, tokoh/watak, latar) dan sarana sastra (judul dan sudut pandang). Tema dalam roman pendek Pileuleuyan menggambarkan kesabaran seorang perempuan yang bernama Lili dalam menghadapi cobaan hidup terutama dalam persoalan perasaan, cobaan yang membuat dirinya harus bijak dalam mengambil keputusan. Alurnya campuran, menceritakan kejadian yang sudah berlalu. Latar tempat dari roman ini yaitu berkisah di rumah, jalan, puncak, dll. Latar waktu yang terdapat dalam roman ini menggunakan waktu yang faktual. Latar sosial menggambarkan masarakat kelas atas dan kelas rendah juga yang mempunyai pendidikan. Ada 13 karakter tokoh yang tergambar dalam roman ini, sedangkan sifatnya ada yang baik mandiri, simpati, licik, dll. Adanya keterkaitan antara judul dan isi cerita. Sudut pandang yang digunakan pengarang yaitu orang ketiga tidak terbatas; (2) citra diri perempuan yang terbagi menjadi dua yaitu citra fisik perempuan tergambar jelas pada roman ini, citra psikis yang digambarkan tokoh perempuan yang mengalami kebingungan; (3) citra sosial yang terbagi menjadi dua yaitu citra perempuan di keluarga terlihat pada kesopanan dan rasa tanggung jawab seorang perempuan kepada anggota keluarganya, dan citra perempuan di masyarakat yang sangat ramah dan diterima oleh masarakat. Jadi, kesimpulannya citra perempuan dalam roman pendek Pileuleuyan menggambarkan sosok perempuan yang tegar dan teguh pendirian dalam mengambil keputusan. Kata kunci: citra perempuan, struktural, feminisme THE Image of Women IN SHORT ROMANCE of PILEULEUYAN BY YUS RUSAMSI (Study of Structure and Feminism) Kaffa Kupita Robby ABSTRACT The background of this research is the presence of Women’s voices poured out in a literary work that must be known by the public and raises the values inherent in Women through literary work. The research aims to describe is: 1) story structure in short romance of Pileuleuyan; 2) the self-Image of Women in short romance of Pileuleuyan; and 3) social Image in short romance of Pileuleuyan. The method in this research is descriptive analytic method using literature study. The data source used are sources from the book short romance of Pileuleuyan by Yus Rusamsi and other sources supporting this research the result are: (1) story structure as theme, story facts (flow, character, setting), and literary means (title and point of view). The theme in short romance of Pileuleuyan is to describe the patience of a person named Lily in dealing with life’s trials especially in matters of feelings, trials which makes her have to be wise in making decisions. The flow is mixed, telling the event that have passed are also interconnected between the beginning, middle and end. The setting of this romance is in the house, street, room, dining room, and Puncak. The time setting contained in this novel uses more factual time. Social setting describe the upper class and lower class people who alse have education. There are 13 characters that are depicted in this romance, while there are those who are independent, sympathetic, cunning, etc. (2) Women’s self-Image is clearly depicted in this romance. Second, the psychological Image depicted by female leaders who experience confusion. (3) social Image which is divided into two, namely the Image of Women in the family is seen in the politeness and sense of responsibility of a woman to her family members, and the Image of Women in the community who are very friendly and accepted by the community. So, that conclusion is that the Image of Women in short romance of Pileuleuyan portrays the figure of a woman who is strong and firm in her decision making. Keywords: the Image of Women, structure, feminism
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CITRA WANOJA DINA ROMAN PONDOK PILEULEUYAN KARYA YUS RUSAMSI (Ulikan Struktural jeung Feminisme)
2020Co-Authors: Kaffa Kupita - RobbyAbstract:Abstrak Latar belakang penelitian ini adalah adanya suara perempuan yang tercurahkan dalam sebuah karya sastra yang harus diketahui oleh masyarakat dan memunculkan nilai-nilai yang terdapat dalam diri perempuan melewati karya sastra. Penelitian ini bertujuan untuk mendeskripsikan: (1) struktur cerita; (2) citra diri perempuan; dan (3) citra sosial. Metode penelitian ini adalah metode deskriptif analitik dengan menggunakan studi pustaka. Sumber data yang digunakan adalah sumber dari buku roman pendek Pileuleuyan karya Yus Rusamsi dan sumber lain yang mendukung. Hasilnya, terdapat: (1) struktur cerita yang terdiri dari téma, fakta cerita (alur, tokoh/watak, latar) dan sarana sastra (judul dan sudut pandang). Tema dalam roman pendek Pileuleuyan menggambarkan kesabaran seorang perempuan yang bernama Lili dalam menghadapi cobaan hidup terutama dalam persoalan perasaan, cobaan yang membuat dirinya harus bijak dalam mengambil keputusan. Alurnya campuran, menceritakan kejadian yang sudah berlalu. Latar tempat dari roman ini yaitu berkisah di rumah, jalan, puncak, dll. Latar waktu yang terdapat dalam roman ini menggunakan waktu yang faktual. Latar sosial menggambarkan masarakat kelas atas dan kelas rendah juga yang mempunyai pendidikan. Ada 13 karakter tokoh yang tergambar dalam roman ini, sedangkan sifatnya ada yang baik, simpati, licik, dll. Adanya keterkaitan antara judul dan isi cerita. Sudut pandang yang digunakan pengarang yaitu orang ketiga tidak terbatas; (2) citra diri perempuan yaitu citra fisik perempuan tergambar jelas pada roman ini, dan citra psikis yang digambarkan tokoh perempuan yang mengalami kebingungan; (3) citra sosial yaitu citra perempuan di keluarga terlihat pada kesopanan dan rasa tanggung jawab kepada anggota keluarganya, dan citra perempuan di masyarakat yang sangat ramah dan diterima oleh masarakat. Jadi, kesimpulannya citra perempuan dalam roman pendek Pileuleuyan menggambarkan sosok perempuan yang tegar dan teguh pendirian dalam mengambil keputusan. Kata kunci: citra perempuan, struktural, feminisme. Abstract The background of this research is the presence of Women’s voices poured out in a literary work that must be known by the public and raises the values inherent in Women through literary work. The research aims to describe is: 1) story structure in short romance of Pileuleuyan; 2) the self-Image of Women in short romance of Pileuleuyan; and 3) social Image in short romance of Pileuleuyan. The method in this research is descriptive analytic method using literature study. The data source used are sources from the book short romance of Pileuleuyan by Yus Rusamsi and other sources supporting this research the result are: (1) story structure as theme, story facts (flow, character, setting), and literary means (title and point of view). The theme in short romance of Pileuleuyan is to describe the patience of a person named Lily in dealing with life’s trials especially in matters of feelings, trials which makes her have to be wise in making decisions. The flow is mixed, telling the event that have passed are also interconnected between the beginning, middle and end. The setting of this romance is in the house, street, room, dining room, and Puncak. The time setting contained in this novel uses more factual time. Social setting describe the upper class and lower class people who alse have education. There are 13 characters that are depicted in this romance, while there are those who are independent, sympathetic, cunning, etc. (2) Women’s self-Image is clearly depicted in this romance. Second, the psychological Image depicted by female leaders who experience confusion. (3) social Image which is divided into two, namely the Image of Women in the family is seen in the politeness and sense of responsibility of a woman to her family members, and the Image of Women in the community who are very friendly and accepted by the community. So, that conclusion is that the Image of Women in short romance of Pileuleuyan portrays the figure of a woman who is strong and firm in her decision making. Keywords: the Image of Women, structure, feminism
Helena Goscilo - One of the best experts on this subject based on the ideXlab platform.
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dehexing sex russian womanhood during and after glasnost
1996Co-Authors: Helena GosciloAbstract:Glasnost and the collapse of the Soviet Union revolutionized Russian society. What effects, however, did they have on the status, role, and Image of Women in Russian culture? Examining the past turbulent decade of transition to "democracy" and a market economy, "Dehexing Sex "traces the ways in which Russia's concept of womanhood both changed and remained the same, taking into account dominant ideologies and social philosophies, sociopolitical organizations, Women's writings, literary criticism, film, and popular cultural forms such as pornography.The lively, engaging chapters of this book examine texts by contemporary Women writers in the context of the political, social, economic, biological, psychological, and aesthetic transformations that helped define them. Goscilo reveals that the Russian cultural revolution has reshaped the female Image in varied and often contradictory ways. While increased interaction with the West fostered gender awareness, it also introduced imported Western sexist practices--especially the exploitation of female bodies--formerly proscribed by a puritanical censorship. Popular magazines, newspapers, and television propagated the Image of woman as mother, ornament, and sexual object, even as Women's fiction conceived of womanhood in complex psychological terms that undermined the gender stereotypes which had ruled Soviet thinking for more than 70 years.With the aid of feminist and cultural theory, "Dehexing Sex "investigates the overt and internalized misogyny that combined with the genuinely liberalizing forces unleashed by Gorbachev's policy of glasnost and perestroika. It exposes Russia's repressive romance with womanhood as a metaphor for nationhood and explores Russian Women's ironic recasting of national mythologies."Impressive . . . an important contribution to Russian studies and to Women's studies. The author is an outstanding scholar, an energetic and original thinker, and her writing sparkles with imagination and wit." --Stephanie Sandler, Amherst CollegeHelena Goscilo is Associate Professor and Chair of Slavic Languages and Literatures, University of Pittsburgh.
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dehexing sex russian womanhood during and after glasnost
1996Co-Authors: Helena GosciloAbstract:Glasnost and the collapse of the Soviet Union revolutionized Russian society. What effects, however, did they have on the status, role, and Image of Women in Russian culture? Examining the past turbulent decade of transition to "democracy" and a market economy, "Dehexing Sex "traces the ways in which Russia's concept of womanhood both changed and remained the same, taking into account dominant ideologies and social philosophies, sociopolitical organizations, Women's writings, literary criticism, film, and popular cultural forms such as pornography.The lively, engaging chapters of this book examine texts by contemporary Women writers in the context of the political, social, economic, biological, psychological, and aesthetic transformations that helped define them. Goscilo reveals that the Russian cultural revolution has reshaped the female Image in varied and often contradictory ways. While increased interaction with the West fostered gender awareness, it also introduced imported Western sexist practices--especially the exploitation of female bodies--formerly proscribed by a puritanical censorship. Popular magazines, newspapers, and television propagated the Image of woman as mother, ornament, and sexual object, even as Women's fiction conceived of womanhood in complex psychological terms that undermined the gender stereotypes which had ruled Soviet thinking for more than 70 years.With the aid of feminist and cultural theory, "Dehexing Sex "investigates the overt and internalized misogyny that combined with the genuinely liberalizing forces unleashed by Gorbachev's policy of glasnost and perestroika. It exposes Russia's repressive romance with womanhood as a metaphor for nationhood and explores Russian Women's ironic recasting of national mythologies."Impressive . . . an important contribution to Russian studies and to Women's studies. The author is an outstanding scholar, an energetic and original thinker, and her writing sparkles with imagination and wit." --Stephanie Sandler, Amherst CollegeHelena Goscilo is Associate Professor and Chair of Slavic Languages and Literatures, University of Pittsburgh.
Diana Harcourt - One of the best experts on this subject based on the ideXlab platform.
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efficacy of psychosocial and physical activity based interventions to improve body Image among Women treated for breast cancer a systematic review
Psycho-oncology, 2018Co-Authors: Helena Lewissmith, Phillippa C Diedrichs, Nichola Rumsey, Diana HarcourtAbstract:© 2018 John Wiley & Sons, Ltd. Objective: Body Image concerns warrant attention among Women who have undergone treatment for breast cancer, due to their significant consequences for psychological and physical health, and interpersonal relationships. This paper systematically reviews the effectiveness of interventions on body Image outcomes among this group, in order to inform health care provision and strategic directions for research. Methods: Fourteen electronic databases were searched for articles published between 1992 and 2017 that evaluated interventions with Women who had undergone treatment for breast cancer in controlled trials with at least one body Image measure. Data were extracted and studies were assessed for their methodological quality using the Cochrane Collaboration tool for assessing risk of bias. Results: Twenty-one articles evaluating 26 interventions met inclusion criteria. Nine interventions significantly improved body Image at either post-test or follow-up (ds=0.15-1.43), with none reporting sustained effects across all time points. Effective interventions comprised psychotherapy, psychoeducation, or physical activity, were delivered at different treatment stages and mostly adopted a multisession, face-to-face, group format. However, only 4 interventions were evaluated within methodologically rigorous studies and are therefore recommended for use by health professionals aiming to improve the body Image of Women at different stages of treatment for breast cancer. Conclusions: To advance the field, we recommend a less biomedical disease- and treatment-focused approach to interventions, and instead a more biopsychosocial theoretical approach targeting broader modifiable psychosocial influences upon body Image. Replication and randomised controlled trials of greater rigour are also required to improve the methodological quality of studies.
Ying-ju Chang - One of the best experts on this subject based on the ideXlab platform.
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The effect of breast reconstruction surgery on body Image among Women after mastectomy: a meta-analysis
Breast Cancer Research and Treatment, 2013Co-Authors: Su-ying Fang, Bih-ching Shu, Ying-ju ChangAbstract:The purpose of this study was to analyze the available evidence concerning the effects of breast reconstruction (BR) on body Image of Women with breast cancer. BR is a potential intervention to improve the body Image of Women with breast cancer. Conflicting research findings about the effects of breast reconstructive surgery on body Image compared to breast conservative surgery (BCS) or mastectomy exist. A meta-analysis of studies found in MEDLINE, CINAHL, PsychINFO, PubMed as well as PQDT (dissertation and theses), and other unpublished literature resources from 1970 to 2010 were searched. Comparable studies that examined the difference of body Image between breast cancer Women receiving mastectomy plus BR and those with BCS were included. A clear definition about the domains of body Image including body stigma, body concern, and transparency were identified. Mean effect sizes were calculated. Twelve studies were included in the meta-analysis. Women with BR and BCS were no different on the body concern domain of body Image. However, Women with BR had a significantly worse score on body stigma domain of body Image than Women receiving BCS. Women with BR had a better body Image score than Women with mastectomy. Women who are satisfied with their body shape may still perceive deficiencies because of the stigma of mastectomy and affect on body Image. Consistent application of valid and reliable measures of body Image specific to breast cancer Women is needed.
Eleni Berki - One of the best experts on this subject based on the ideXlab platform.
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countering the negative Image of Women in computing
Communications of The ACM, 2019Co-Authors: Fay Cobb Payton, Eleni BerkiAbstract:A positive Image would inspire the capable but underrepresented who might otherwise give up on computing.
