The Experts below are selected from a list of 23394 Experts worldwide ranked by ideXlab platform
De Roeck Kenneth - One of the best experts on this subject based on the ideXlab platform.
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Coporate branding and corporate social responsibility: Toward a multi-stakeholder Interpretive Perspective
'Elsevier BV', 2021Co-Authors: Maon Francois, Swaen Valérie, De Roeck KennethAbstract:Research on corporate branding has evolved into a network-based Perspective in which brands are understood as fluid corporate assets socially co-created by the firm and its stakeholders. In this context, corporate social responsibility (CSR) has emerged as central to the development of attractive corporate brands. Yet research on multi-stakeholder processes that explain how CSR contributes to corporate branding efforts remains scarce and fragmented. Through a multidisciplinary review of the literature on CSR sensemaking and sensegiving, this article articulates current knowledge in an integrative conceptual framework to explain the multi-stakeholder interpretative and interactional processes shaping the corporate brand and develops a research agenda at the crossroads of CSR and corporate branding. Overall, this conceptual endeavor contributes to illuminating the importance of CSR for contemporary corporate marketing and brand development efforts from a socially constructed Perspective by theorizing the CSR sensemaking Perspective of corporate branding
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Corrigendum to “Corporate branding and corporate social responsibility: Toward a multi-stakeholder Interpretive Perspective” [J. Bus. Res. 126 (2021) 64–77]
'Elsevier BV', 2021Co-Authors: Maon Francois, Swaen Valérie, De Roeck KennethAbstract:Research on corporate branding has evolved into a network-based Perspective in which brands are understood as fluid corporate assets socially co-created by the firm and its stakeholders. In this context, corporate social responsibility (CSR) has emerged as central to the development of attractive corporate brands. Yet research on multi-stakeholder processes that explain how CSR contributes to corporate branding efforts remains scarce and fragmented. Through a multidisciplinary review of the literature on CSR sensemaking and sensegiving, this article articulates current knowledge in an integrative conceptual framework to explain the multi-stakeholder interpretative and interactional processes shaping the corporate brand and develops a research agenda at the crossroads of CSR and corporate branding. Overall, this conceptual endeavor contributes to illuminating the importance of CSR for contemporary corporate marketing and brand development efforts from a socially constructed Perspective by theorizing the CSR sensemaking Perspective of corporate branding
Sosa, Rocío Irene - One of the best experts on this subject based on the ideXlab platform.
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The history of Argentine art in light of decolonial studies
2021Co-Authors: Sosa, Rocío IreneAbstract:A finales del siglo pasado, los estudios coloniales, postcoloniales y decoloniales pusieron en marcha un «desprendimiento» de los modos de conocer dominantes en las Ciencias Sociales y Humanidades. En la década de 1990, intelectuales latinoamericanos debatieron el lado colonial de la modernidad y la hegemonía cultural, teórica y práctica que conservaban los países centrales. En el terreno del arte, esto se tradujo en la problematización de los cánones eurocéntricos presentes en el sistema artístico y la falta de un pensamiento teórico y visual independiente. A la luz de estos problemas, este artículo indaga sobre uno de los rasgos de la colonialidad vigente en las Historias de las Artes Visuales «con mayúsculas» en Latinoamérica y particularmente en Argentina: la neutralización de la diversidad en la construcción de un arte nacional. Para ello, se utiliza la perspectiva metodológica cualitativa transdisciplinaria, que articula distintas áreas de conocimiento (historia, antropología, filosofía, sociología, historia del arte) desde un enfoque interpretativo decolonial. En el análisis teórico y la reflexión historiográfica, se observa un descentramiento en la historia del arte nacional promovido por el Instituto de Investigaciones Estéticas (Facultad de Artes, Universidad Nacional de Tucumán), que interrumpe el canon disciplinal favoreciendo la emergencia de lo americano, en tanto lo folclórico y lo ancestral.At the end of the last century, colonial, postcolonial and decolonial studies set in motion a “detachment” from the dominant modes of knowledge acquisition in the social sciences and humanities. In the 1990s, Latin American intellectuals debated the colonial side of modernity and the cultural, theoretical and practical hegemony that the central countries maintained. In the field of art, this resulted in the problematization of the Eurocentric canons present in the artistic system and the lack of independent theoretical and visual thinking. In light of these problems, this article investigates one of the features of coloniality in force in the Histories of the Visual Arts “with capital letters” in Latin America and particularly in Argentina; that is, the neutralization of diversity in the construction of a national art. To this end, we have used the transdisciplinary qualitative methodology, which articulates different areas of knowledge (history, anthropology, philosophy, sociology, art history) from a decolonial Interpretive Perspective. In the theoretical analysis and historiographical reflection, a decentration is observed in the history of national art promoted by the Institute of Aesthetic Research (Faculty of Arts, National University of Tucumán), which interrupts the disciplinary canon favoring the emergence of the American, in both the folkloric and the ancestral.Facultad de Arte
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The history of argentine art in light of decolonial studies
Editorial de la Universidad de Sevilla, 2021Co-Authors: Sosa, Rocío IreneAbstract:A finales del siglo pasado, los estudios coloniales, postcoloniales y decoloniales pusieron en marcha un «desprendimiento» de los modos de conocer dominantes en las Ciencias Sociales y Humanidades. En la década de 1990, intelectuales latinoamericanos debatieron el lado colonial de la modernidad y la hegemonía cultural, teórica y práctica que conservaban los países centrales. En el terreno del arte, esto se tradujo en la problematización de los cánones eurocéntricos presentes en el sistema artístico y la falta de un pensamiento teórico y visual independiente. A la luz de estos problemas, este artículo indaga sobre uno de los rasgos de la colonialidad vigente en las Historias de las Artes Visuales «con mayúsculas» en Latinoamérica y particularmente en Argentina: la neutralización de la diversidad en la construcción de un arte nacional. Para ello, se utiliza la perspectiva metodológica cualitativa transdisciplinaria, que articula distintas áreas de conocimiento (historia, antropología, filosofía, sociología, historia del arte) desde un enfoque interpretativo decolonial. En el análisis teórico y la reflexión historiográfica, se observa un descentramiento en la historia del arte nacional promovido por el Instituto de Investigaciones Estéticas (Facultad de Artes, Universidad Nacional de Tucumán), que interrumpe el canon disciplinal favoreciendo la emergencia de lo americano, en tanto lo folclórico y lo ancestral.At the end of the last century, colonial, postcolonial and decolonial studies set in motion a “detachment” from the dominant modes of knowledge acquisition in the social sciences and humanities. In the 1990s, Latin American intellectuals debated the colonial side of modernity and the cultural, theoretical and practical hegemony that the central countries maintained. In the field of art, this resulted in the problematization of the Eurocentric canons present in the artistic system and the lack of independent theoretical and visual thinking. In light of these problems, this article investigates one of the features of coloniality in force in the Histories of the Visual Arts “with capital letters” in Latin America and particularly in Argentina; that is, the neutralization of diversity in the construction of a national art. To this end, we have used the transdisciplinary qualitative methodology, which articulates different areas of knowledge (history, anthropology, philosophy, sociology, art history) from a decolonial Interpretive Perspective. In the theoretical analysis and historiographical reflection, a decentration is observed in the history of national art promoted by the Institute of Aesthetic Research (Faculty of Arts, National University of Tucumán), which interrupts the disciplinary canon favoring the emergence of the American, in both the folkloric and the ancestral
Maon Francois - One of the best experts on this subject based on the ideXlab platform.
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Coporate branding and corporate social responsibility: Toward a multi-stakeholder Interpretive Perspective
'Elsevier BV', 2021Co-Authors: Maon Francois, Swaen Valérie, De Roeck KennethAbstract:Research on corporate branding has evolved into a network-based Perspective in which brands are understood as fluid corporate assets socially co-created by the firm and its stakeholders. In this context, corporate social responsibility (CSR) has emerged as central to the development of attractive corporate brands. Yet research on multi-stakeholder processes that explain how CSR contributes to corporate branding efforts remains scarce and fragmented. Through a multidisciplinary review of the literature on CSR sensemaking and sensegiving, this article articulates current knowledge in an integrative conceptual framework to explain the multi-stakeholder interpretative and interactional processes shaping the corporate brand and develops a research agenda at the crossroads of CSR and corporate branding. Overall, this conceptual endeavor contributes to illuminating the importance of CSR for contemporary corporate marketing and brand development efforts from a socially constructed Perspective by theorizing the CSR sensemaking Perspective of corporate branding
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Corrigendum to “Corporate branding and corporate social responsibility: Toward a multi-stakeholder Interpretive Perspective” [J. Bus. Res. 126 (2021) 64–77]
'Elsevier BV', 2021Co-Authors: Maon Francois, Swaen Valérie, De Roeck KennethAbstract:Research on corporate branding has evolved into a network-based Perspective in which brands are understood as fluid corporate assets socially co-created by the firm and its stakeholders. In this context, corporate social responsibility (CSR) has emerged as central to the development of attractive corporate brands. Yet research on multi-stakeholder processes that explain how CSR contributes to corporate branding efforts remains scarce and fragmented. Through a multidisciplinary review of the literature on CSR sensemaking and sensegiving, this article articulates current knowledge in an integrative conceptual framework to explain the multi-stakeholder interpretative and interactional processes shaping the corporate brand and develops a research agenda at the crossroads of CSR and corporate branding. Overall, this conceptual endeavor contributes to illuminating the importance of CSR for contemporary corporate marketing and brand development efforts from a socially constructed Perspective by theorizing the CSR sensemaking Perspective of corporate branding
Swaen Valérie - One of the best experts on this subject based on the ideXlab platform.
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Coporate branding and corporate social responsibility: Toward a multi-stakeholder Interpretive Perspective
'Elsevier BV', 2021Co-Authors: Maon Francois, Swaen Valérie, De Roeck KennethAbstract:Research on corporate branding has evolved into a network-based Perspective in which brands are understood as fluid corporate assets socially co-created by the firm and its stakeholders. In this context, corporate social responsibility (CSR) has emerged as central to the development of attractive corporate brands. Yet research on multi-stakeholder processes that explain how CSR contributes to corporate branding efforts remains scarce and fragmented. Through a multidisciplinary review of the literature on CSR sensemaking and sensegiving, this article articulates current knowledge in an integrative conceptual framework to explain the multi-stakeholder interpretative and interactional processes shaping the corporate brand and develops a research agenda at the crossroads of CSR and corporate branding. Overall, this conceptual endeavor contributes to illuminating the importance of CSR for contemporary corporate marketing and brand development efforts from a socially constructed Perspective by theorizing the CSR sensemaking Perspective of corporate branding
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Corrigendum to “Corporate branding and corporate social responsibility: Toward a multi-stakeholder Interpretive Perspective” [J. Bus. Res. 126 (2021) 64–77]
'Elsevier BV', 2021Co-Authors: Maon Francois, Swaen Valérie, De Roeck KennethAbstract:Research on corporate branding has evolved into a network-based Perspective in which brands are understood as fluid corporate assets socially co-created by the firm and its stakeholders. In this context, corporate social responsibility (CSR) has emerged as central to the development of attractive corporate brands. Yet research on multi-stakeholder processes that explain how CSR contributes to corporate branding efforts remains scarce and fragmented. Through a multidisciplinary review of the literature on CSR sensemaking and sensegiving, this article articulates current knowledge in an integrative conceptual framework to explain the multi-stakeholder interpretative and interactional processes shaping the corporate brand and develops a research agenda at the crossroads of CSR and corporate branding. Overall, this conceptual endeavor contributes to illuminating the importance of CSR for contemporary corporate marketing and brand development efforts from a socially constructed Perspective by theorizing the CSR sensemaking Perspective of corporate branding
Robert W. Scapens - One of the best experts on this subject based on the ideXlab platform.
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Using grounded theory in Interpretive management accounting research
Qualitative Research in Accounting & Management, 2008Co-Authors: Ali M. Elharidy, Brian Nicholson, Robert W. ScapensAbstract:Purpose – The aim of this paper is to assess and explain the role of grounded theory (GT) in Interpretive management accounting research (IMAR) and seeks to answer the question: can Interpretive researchers use GT? And if so, how?Design/methodology/approach – This is a theoretical paper that attempts to investigate how researchers can use GT in relation to their ontological stance, methodological position and research methods.Findings – The paper suggests that GT offers a balance between the expediency of the research findings, thereby allowing researchers freedom to interpret management accounting practices, and the development of rigorous theory from IMAR.Research limitations/implications – The paper provides an analysis of GT from an Interpretive Perspective and, clearly, there are other research Perspectives which could have been discussed.Practical implications – GT can be a powerful tool that researchers could use to collect and analyse empirical data. However, researchers need to align GT with the ...
