The Experts below are selected from a list of 6678 Experts worldwide ranked by ideXlab platform

Brenda Cooper - One of the best experts on this subject based on the ideXlab platform.

  • chick flicks as feminist texts the appropriation of the Male Gaze in thelma louise
    Women's Studies in Communication, 2000
    Co-Authors: Brenda Cooper
    Abstract:

    Through an explication of the feMale Gazes underlying the narrative structure of the 1991 film Thelma and Louise, this study suggests explanations for the movie's wide appeal among women spectators. The film's feMale Gazes undercut and appropriate the dominant Male Gazes typical of mainstream Hollywood cinema by using mockery as a narrative device to illustrate the sexism inherent in the Male Gaze, and it is precisely this appropriation of patriarchal construction that offers pleasure to women spectators. Three narrative devices structuring the film's mockery are explicated: stereotypes of lecherous and testosterone-crazed men; depicting men as spectacles for women's attention; and the celebration of women's friendships. The result of the devices of mockery is a strong feMale Gaze that challenges, resists and defies patriarchy, and opens the film's text to a feminist reading.

  • “Chick Flicks” as Feminist Texts: The Appropriation of the Male Gaze in Thelma & Louise
    Women's Studies in Communication, 2000
    Co-Authors: Brenda Cooper
    Abstract:

    Through an explication of the feMale Gazes underlying the narrative structure of the 1991 film Thelma and Louise, this study suggests explanations for the movie's wide appeal among women spectators. The film's feMale Gazes undercut and appropriate the dominant Male Gazes typical of mainstream Hollywood cinema by using mockery as a narrative device to illustrate the sexism inherent in the Male Gaze, and it is precisely this appropriation of patriarchal construction that offers pleasure to women spectators. Three narrative devices structuring the film's mockery are explicated: stereotypes of lecherous and testosterone-crazed men; depicting men as spectacles for women's attention; and the celebration of women's friendships. The result of the devices of mockery is a strong feMale Gaze that challenges, resists and defies patriarchy, and opens the film's text to a feminist reading.

Xu Qian - One of the best experts on this subject based on the ideXlab platform.

  • Women's Writing under the Male Gaze——A Comment on Qiu Xinru's
    Journal of Langfang Teachers College, 2010
    Co-Authors: Xu Qian
    Abstract:

    When reading writings by women about the feMale’s fate and morals between the Ming Dynasty and the Qing Dynasty,we find that these writers were writing under the Male Gaze.Due to the long history of Male Gaze,they will not only agree with the image of women in men’s works but also mold it in their own works.It is the same with by Qiu Xinru,which concerns with the writer’s education and her life of marriage.These contents together with the characterization have revealed the strong effect of feudal morality,which in turn shows that her writing is also carried out under the Male Gaze.

  • women s writing under the Male Gaze a comment on qiu xinru s
    Journal of Langfang Teachers College, 2010
    Co-Authors: Xu Qian
    Abstract:

    When reading writings by women about the feMale’s fate and morals between the Ming Dynasty and the Qing Dynasty,we find that these writers were writing under the Male Gaze.Due to the long history of Male Gaze,they will not only agree with the image of women in men’s works but also mold it in their own works.It is the same with by Qiu Xinru,which concerns with the writer’s education and her life of marriage.These contents together with the characterization have revealed the strong effect of feudal morality,which in turn shows that her writing is also carried out under the Male Gaze.

Tashya Ra Winahyu - One of the best experts on this subject based on the ideXlab platform.

  • The Portrayal Of Male Gaze In Video Advertising Carl’s Jr Cod Fish Sandwich (2013)
    2019
    Co-Authors: Tashya Ra Winahyu
    Abstract:

    In 2013, in American television, Carl’s Jr. aired another sexually explicit advertisement starring Nina Agdal promoting their new menu Cod Fish Sandwich.This video shows a whole lot more of nudity than the sandwich itself. The study aims to examine the Male Gaze that depicted throughout the video by using Male Gaze theory by Laura Mulvey and also gender advertisement by Erving Goffman.The qualitative method is used to reveal the portrayal of Male Gaze as also John Fiske’s Television Culture as an approach. The purpose of this research study is to introduce readers to Male Gaze theory and related research, to extend Male Gaze theory to our understanding of women’s substance use and/or abuse and immersed forms of sexual objectification via sexually objectifying environments, provide an overview of media major contribution on sexual objectification of women. The finding shows that the advertising has more meaning to it than just promoting the sandwich and even though feminism movements have been around for decades in the US, women are still being hypersexualized.

  • the portrayal of Male Gaze in video advertising carl s jr cod fish sandwich 2013
    2019
    Co-Authors: Tashya Ra Winahyu
    Abstract:

    In 2013, in American television, Carl’s Jr. aired another sexually explicit advertisement starring Nina Agdal promoting their new menu Cod Fish Sandwich.This video shows a whole lot more of nudity than the sandwich itself. The study aims to examine the Male Gaze that depicted throughout the video by using Male Gaze theory by Laura Mulvey and also gender advertisement by Erving Goffman.The qualitative method is used to reveal the portrayal of Male Gaze as also John Fiske’s Television Culture as an approach. The purpose of this research study is to introduce readers to Male Gaze theory and related research, to extend Male Gaze theory to our understanding of women’s substance use and/or abuse and immersed forms of sexual objectification via sexually objectifying environments, provide an overview of media major contribution on sexual objectification of women. The finding shows that the advertising has more meaning to it than just promoting the sandwich and even though feminism movements have been around for decades in the US, women are still being hypersexualized.

Mindy J. Erchull - One of the best experts on this subject based on the ideXlab platform.

  • Fathers, daughters, and self-objectification: does bonding style matter?
    Body image, 2014
    Co-Authors: Haley Miles-mclean, Miriam Liss, Mindy J. Erchull
    Abstract:

    As women are exposed to objectification and the "Male Gaze," they self-objectify, which predicts negative psychological outcomes. Given the centrality of the "Male Gaze," positive father/child relationships may have a buffering effect. In this study, women (N=447) completed a survey measuring paternal bonding (care and overprotection), self-objectification, negative eating attitudes, and depression. Women were categorized into four groups based on bonding style. Analyses indicated an interaction such that women who reported high care and low overprotection reported the fewest negative eating attitudes. A path model was tested for each group. The fit of the high care/high overprotection group's model significantly differed from that of the high care/low overprotection group. The relationships between body surveillance and shame as well as between shame and negative eating attitudes were stronger in the former group. These findings suggest that caring but overprotective fathers may exacerbate the negative effects of body surveillance and shame.

Geoffrey Maguire - One of the best experts on this subject based on the ideXlab platform.

  • Visual Displeasure: Adolescence and the Erotics of the Queer Male Gaze in Marco Berger’s Ausente
    New Visions of Adolescence in Contemporary Latin American Cinema, 2018
    Co-Authors: Geoffrey Maguire
    Abstract:

    This chapter discusses the formal and narrative representation of the adolescent queer Male Gaze in Marco Berger’s Ausente (2011). Through a consideration of the ethical issues at stake in the haptic filming of the teenage body in various cinematic spaces (the swimming pool, the changing room and the apartment), I argue that Ausente’s ‘visual erotics’ (Marks, 2000) create a dynamic, intersubjective relationship between viewer and image. Drawing primarily on the work of Laura Marks (2000) and Laura Mulvey (1975), the chapter ultimately concludes that these haptic filmic techniques demand an engaged form of spectatorship, which denies a hierarchical identification with the adolescent queer subject and, instead, promotes an embodied response to the film’s presentation of non-normative sexual desire.

  • visual displeasure adolescence and the erotics of the queer Male Gaze in marco berger s ausente
    2018
    Co-Authors: Geoffrey Maguire
    Abstract:

    This chapter discusses the formal and narrative representation of the adolescent queer Male Gaze in Marco Berger’s Ausente (2011). Through a consideration of the ethical issues at stake in the haptic filming of the teenage body in various cinematic spaces (the swimming pool, the changing room and the apartment), I argue that Ausente’s ‘visual erotics’ (Marks, 2000) create a dynamic, intersubjective relationship between viewer and image. Drawing primarily on the work of Laura Marks (2000) and Laura Mulvey (1975), the chapter ultimately concludes that these haptic filmic techniques demand an engaged form of spectatorship, which denies a hierarchical identification with the adolescent queer subject and, instead, promotes an embodied response to the film’s presentation of non-normative sexual desire.