The Experts below are selected from a list of 9174 Experts worldwide ranked by ideXlab platform
Mille Muriel - One of the best experts on this subject based on the ideXlab platform.
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Making TV
'OpenEdition', 2021Co-Authors: Sofio Séverine, Mille MurielAbstract:Supposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, Television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of Television Programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the Television Programme market, and TV writers’ difficulty in gaining recognition.Réputée en perte de vitesse avec la multiplication des écrans et des nouvelles pratiques de consommation des productions audiovisuelles, la télévision est un média qui, tout en restant dominant, est en pleine mutation. La fabrique de ses Programmes, rarement analysée par les sciences sociales, fait l’objet de ce dossier. On se propose d’y étudier, à travers des perspectives à chaque fois différentes, les rouages de la production audiovisuelle pour interroger les ressorts de la division du travail, les effets des contraintes (temporelles, économiques, d’audience, etc.) sur les biens produits, les mécanismes de l’internationalisation des Programmes ou encore la difficile reconnaissance du statut des auteur·e·s.La televisión, supuestamente en declive, cuando se multiplican las pantallas y las nuevas prácticas de consumo de las producciones audiovisuales, se encuentra en plena mutación. Sin embargo, la televisión sigue siendo un medio dominante. El objeto de este número es la construcción de los programas de televisión, una cuestión raramente estudiada en ciencias sociales. Se propone estudiar, desde diferentes perspectivas cada vez, los engranajes de la producción audiovisual para preguntarnos sobre las fuerzas motoras que subyacen a la división del trabajo, los efectos de las constricciones (temporales, económicas, de audiencia, etc.) sobre los bienes producidos, los mecanismos de internacionalización de los programas así como el difícil reconocimiento del estatus de los autores y las autoras
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Faire (de) la télévision
'OpenEdition', 2021Co-Authors: Sofio Séverine, Mille MurielAbstract:Réputée en perte de vitesse avec la multiplication des écrans et des nouvelles pratiques de consommation des productions audiovisuelles, la télévision est un média qui, tout en restant dominant, est en pleine mutation. La fabrique de ses Programmes, rarement analysée par les sciences sociales, fait l’objet de ce dossier. On se propose d’y étudier, à travers des perspectives à chaque fois différentes, les rouages de la production audiovisuelle pour interroger les ressorts de la division du travail, les effets des contraintes (temporelles, économiques, d’audience, etc.) sur les biens produits, les mécanismes de l’internationalisation des Programmes ou encore la difficile reconnaissance du statut des auteur·e·s.Supposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, Television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of Television Programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the Television Programme market, and TV writers’ difficulty in gaining recognition.La televisión, supuestamente en declive, cuando se multiplican las pantallas y las nuevas prácticas de consumo de las producciones audiovisuales, se encuentra en plena mutación. Sin embargo, la televisión sigue siendo un medio dominante. El objeto de este número es la construcción de los programas de televisión, una cuestión raramente estudiada en ciencias sociales. Se propone estudiar, desde diferentes perspectivas cada vez, los engranajes de la producción audiovisual para preguntarnos sobre las fuerzas motoras que subyacen a la división del trabajo, los efectos de las constricciones (temporales, económicas, de audiencia, etc.) sobre los bienes producidos, los mecanismos de internacionalización de los programas así como el difícil reconocimiento del estatus de los autores y las autoras
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Faire (de) la télévision. L’audiovisuel vu par les sciences sociales
'OpenEdition', 2020Co-Authors: Sofio Séverine, Mille MurielAbstract:International audienceSupposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, Television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of Television Programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the Television Programme market, and TV writers’ difficulty in gaining recognition.Réputée en perte de vitesse avec la multiplication des écrans et des nouvelles pratiques de consommation des productions audiovisuelles, la télévision est un média qui, tout en restant dominant, est en pleine mutation. La fabrique de ses Programmes, rarement analysée par les sciences sociales, fait l’objet de ce dossier. On se propose d’y étudier, à travers des perspectives à chaque fois différentes, les rouages de la production audiovisuelle pour interroger les ressorts de la division du travail, les effets des contraintes (temporelles, économiques, d’audience, etc.) sur les biens produits, les mécanismes de l’internationalisation des Programmes ou encore la difficile reconnaissance du statut des auteur·e·s
Sofio Séverine - One of the best experts on this subject based on the ideXlab platform.
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Making TV
'OpenEdition', 2021Co-Authors: Sofio Séverine, Mille MurielAbstract:Supposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, Television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of Television Programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the Television Programme market, and TV writers’ difficulty in gaining recognition.Réputée en perte de vitesse avec la multiplication des écrans et des nouvelles pratiques de consommation des productions audiovisuelles, la télévision est un média qui, tout en restant dominant, est en pleine mutation. La fabrique de ses Programmes, rarement analysée par les sciences sociales, fait l’objet de ce dossier. On se propose d’y étudier, à travers des perspectives à chaque fois différentes, les rouages de la production audiovisuelle pour interroger les ressorts de la division du travail, les effets des contraintes (temporelles, économiques, d’audience, etc.) sur les biens produits, les mécanismes de l’internationalisation des Programmes ou encore la difficile reconnaissance du statut des auteur·e·s.La televisión, supuestamente en declive, cuando se multiplican las pantallas y las nuevas prácticas de consumo de las producciones audiovisuales, se encuentra en plena mutación. Sin embargo, la televisión sigue siendo un medio dominante. El objeto de este número es la construcción de los programas de televisión, una cuestión raramente estudiada en ciencias sociales. Se propone estudiar, desde diferentes perspectivas cada vez, los engranajes de la producción audiovisual para preguntarnos sobre las fuerzas motoras que subyacen a la división del trabajo, los efectos de las constricciones (temporales, económicas, de audiencia, etc.) sobre los bienes producidos, los mecanismos de internacionalización de los programas así como el difícil reconocimiento del estatus de los autores y las autoras
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Faire (de) la télévision
'OpenEdition', 2021Co-Authors: Sofio Séverine, Mille MurielAbstract:Réputée en perte de vitesse avec la multiplication des écrans et des nouvelles pratiques de consommation des productions audiovisuelles, la télévision est un média qui, tout en restant dominant, est en pleine mutation. La fabrique de ses Programmes, rarement analysée par les sciences sociales, fait l’objet de ce dossier. On se propose d’y étudier, à travers des perspectives à chaque fois différentes, les rouages de la production audiovisuelle pour interroger les ressorts de la division du travail, les effets des contraintes (temporelles, économiques, d’audience, etc.) sur les biens produits, les mécanismes de l’internationalisation des Programmes ou encore la difficile reconnaissance du statut des auteur·e·s.Supposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, Television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of Television Programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the Television Programme market, and TV writers’ difficulty in gaining recognition.La televisión, supuestamente en declive, cuando se multiplican las pantallas y las nuevas prácticas de consumo de las producciones audiovisuales, se encuentra en plena mutación. Sin embargo, la televisión sigue siendo un medio dominante. El objeto de este número es la construcción de los programas de televisión, una cuestión raramente estudiada en ciencias sociales. Se propone estudiar, desde diferentes perspectivas cada vez, los engranajes de la producción audiovisual para preguntarnos sobre las fuerzas motoras que subyacen a la división del trabajo, los efectos de las constricciones (temporales, económicas, de audiencia, etc.) sobre los bienes producidos, los mecanismos de internacionalización de los programas así como el difícil reconocimiento del estatus de los autores y las autoras
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Faire (de) la télévision. L’audiovisuel vu par les sciences sociales
'OpenEdition', 2020Co-Authors: Sofio Séverine, Mille MurielAbstract:International audienceSupposedly losing ground with the multiplication of screens and new consumer practices for audiovisual productions, Television is undergoing major transformations. Nevertheless, it remains a dominant medium. This dossier focuses on the making of Television Programmes—a subject rarely studied by social science. We propose to analyse, through different perspectives, the workings of audiovisual production in order to question the dynamics of the division of labour, the effects of the multiple constraints (of time, audience, budget, etc.) on the produced content, the mechanisms of the internationalization of the Television Programme market, and TV writers’ difficulty in gaining recognition.Réputée en perte de vitesse avec la multiplication des écrans et des nouvelles pratiques de consommation des productions audiovisuelles, la télévision est un média qui, tout en restant dominant, est en pleine mutation. La fabrique de ses Programmes, rarement analysée par les sciences sociales, fait l’objet de ce dossier. On se propose d’y étudier, à travers des perspectives à chaque fois différentes, les rouages de la production audiovisuelle pour interroger les ressorts de la division du travail, les effets des contraintes (temporelles, économiques, d’audience, etc.) sur les biens produits, les mécanismes de l’internationalisation des Programmes ou encore la difficile reconnaissance du statut des auteur·e·s
Arensman Ella - One of the best experts on this subject based on the ideXlab platform.
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Using a Television Programme as a tool to increase perceived awareness of mental health and well-being - Findings from \u27 Our Mental Health \u27 survey
Cambridge University Press, 2020Co-Authors: Mcternan Niall, Ryan Fenella, Williamson Eileen, Chambers D., Arensman EllaAbstract:Background: International research shows that media can increase knowledge, raise public awareness and reduce stigma relating to mental health.Methods: Following the broadcast of a documentary on national Television featuring interviews with young people who had experienced mental health difficulties and suicidal behaviour, an anonymous online survey, aimed at examining public perceptions of the impact of a Television documentary, was conducted, using a mixed methods approach.Results: 2311 people completed the survey. Of those who watched the documentary and answered the closed questions (n = 854), 94% stated that the documentary will positively impact young people\u27s mental health and well-being. The majority (91%) stated that the documentary will encourage young people to talk to someone if experiencing difficulties and 87% indicated it will help to reduce stigma associated with mental health. Viewers had a 5% higher level of intention to seek help than non-viewers. Participants indicated that the identifiable personal stories and discourse around stigma and shame, and the increased understanding and awareness gained, had the most profound impact on them.Conclusions: These findings indicate that a documentary addressing mental health and suicidal behaviour, which incorporates real life identifiable stories of resilience and recovery, has the potential to impact positively on emotional well-being and general mood, to reduce stigma related to mental health and to encourage help-seeking behaviour. Documentaries including these concepts, with a public mental health focus and a consistent message, incorporating pre- and post-evaluations, and customisation for target audiences in compliance with current media recommendations, should be considered
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Using a Television Programme as a tool to increase perceived awareness of mental health and well-being - Findings from ' Our Mental Health ' survey
'Cambridge University Press (CUP)', 2020Co-Authors: Mcternan Niall, Ryan Fenella, Williamson Eileen, Chambers D., Arensman EllaAbstract:Background: International research shows that media can increase knowledge, raise public awareness and reduce stigma relating to mental health.Methods: Following the broadcast of a documentary on national Television featuring interviews with young people who had experienced mental health difficulties and suicidal behaviour, an anonymous online survey, aimed at examining public perceptions of the impact of a Television documentary, was conducted, using a mixed methods approach.Results: 2311 people completed the survey. Of those who watched the documentary and answered the closed questions (n = 854), 94% stated that the documentary will positively impact young people's mental health and well-being. The majority (91%) stated that the documentary will encourage young people to talk to someone if experiencing difficulties and 87% indicated it will help to reduce stigma associated with mental health. Viewers had a 5% higher level of intention to seek help than non-viewers. Participants indicated that the identifiable personal stories and discourse around stigma and shame, and the increased understanding and awareness gained, had the most profound impact on them.Conclusions: These findings indicate that a documentary addressing mental health and suicidal behaviour, which incorporates real life identifiable stories of resilience and recovery, has the potential to impact positively on emotional well-being and general mood, to reduce stigma related to mental health and to encourage help-seeking behaviour. Documentaries including these concepts, with a public mental health focus and a consistent message, incorporating pre- and post-evaluations, and customisation for target audiences in compliance with current media recommendations, should be considered
Mcternan Niall - One of the best experts on this subject based on the ideXlab platform.
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Using a Television Programme as a tool to increase perceived awareness of mental health and well-being - Findings from \u27 Our Mental Health \u27 survey
Cambridge University Press, 2020Co-Authors: Mcternan Niall, Ryan Fenella, Williamson Eileen, Chambers D., Arensman EllaAbstract:Background: International research shows that media can increase knowledge, raise public awareness and reduce stigma relating to mental health.Methods: Following the broadcast of a documentary on national Television featuring interviews with young people who had experienced mental health difficulties and suicidal behaviour, an anonymous online survey, aimed at examining public perceptions of the impact of a Television documentary, was conducted, using a mixed methods approach.Results: 2311 people completed the survey. Of those who watched the documentary and answered the closed questions (n = 854), 94% stated that the documentary will positively impact young people\u27s mental health and well-being. The majority (91%) stated that the documentary will encourage young people to talk to someone if experiencing difficulties and 87% indicated it will help to reduce stigma associated with mental health. Viewers had a 5% higher level of intention to seek help than non-viewers. Participants indicated that the identifiable personal stories and discourse around stigma and shame, and the increased understanding and awareness gained, had the most profound impact on them.Conclusions: These findings indicate that a documentary addressing mental health and suicidal behaviour, which incorporates real life identifiable stories of resilience and recovery, has the potential to impact positively on emotional well-being and general mood, to reduce stigma related to mental health and to encourage help-seeking behaviour. Documentaries including these concepts, with a public mental health focus and a consistent message, incorporating pre- and post-evaluations, and customisation for target audiences in compliance with current media recommendations, should be considered
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Using a Television Programme as a tool to increase perceived awareness of mental health and well-being - Findings from ' Our Mental Health ' survey
'Cambridge University Press (CUP)', 2020Co-Authors: Mcternan Niall, Ryan Fenella, Williamson Eileen, Chambers D., Arensman EllaAbstract:Background: International research shows that media can increase knowledge, raise public awareness and reduce stigma relating to mental health.Methods: Following the broadcast of a documentary on national Television featuring interviews with young people who had experienced mental health difficulties and suicidal behaviour, an anonymous online survey, aimed at examining public perceptions of the impact of a Television documentary, was conducted, using a mixed methods approach.Results: 2311 people completed the survey. Of those who watched the documentary and answered the closed questions (n = 854), 94% stated that the documentary will positively impact young people's mental health and well-being. The majority (91%) stated that the documentary will encourage young people to talk to someone if experiencing difficulties and 87% indicated it will help to reduce stigma associated with mental health. Viewers had a 5% higher level of intention to seek help than non-viewers. Participants indicated that the identifiable personal stories and discourse around stigma and shame, and the increased understanding and awareness gained, had the most profound impact on them.Conclusions: These findings indicate that a documentary addressing mental health and suicidal behaviour, which incorporates real life identifiable stories of resilience and recovery, has the potential to impact positively on emotional well-being and general mood, to reduce stigma related to mental health and to encourage help-seeking behaviour. Documentaries including these concepts, with a public mental health focus and a consistent message, incorporating pre- and post-evaluations, and customisation for target audiences in compliance with current media recommendations, should be considered
Ian Weber - One of the best experts on this subject based on the ideXlab platform.
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localizing the global successful strategies for selling Television Programmes to china
International Communication Gazette, 2003Co-Authors: Ian WeberAbstract:Globalization of Asian markets has focused attention on the flow of western cultural products into Asian countries as they attempt to manage global economics at a local level. Countries such as Singapore, Malaysia and China have responded to what is deemed western cultural hegemony by initiating protectionist media policies to limit perceived negative influences of foreign cultural imperialism on their societies and maintain appropriate levels of cultural autonomy. China, in particular, introduced a raft of media and cultural policy changes throughout the mid- and late 1990s in preparation for its entry into the World Trade Organization (WTO) in November 2001, as a way of balancing modernization and tradition under the banner of `spiritual civilization'. The key to these strategies is the limiting inappropriate western cultural products, while simultaneously strengthening its domestic Television industry through a range of strategies, including the selective importation of products from culturally sensitive overseas Chinese and favoured western Television Programme suppliers. This article examines the strategies employed from 1995-2002 by four Television operators (CETV, AOL Time Warner, News Corporation and MTV) to access China's highly regulated mediascape. These strategies are defined by the common element of localization, which links into the main tenets of the Chinese government's spiritual civilization Programme. However, these localizing strategies manifested in many and varied ways, as organizations attempted to adhere to the government's discursive construction of `common cultural tradition' and `common economic philosophy'. The success in forging the local (values) with the global (economics) relies on the government's ability to create, mediate and sustain social perceptions of Chinese modernity through the discursive construction of what Appadurai refers to as `imagined worlds'. Today, the concept of an `imagined China' is reflected in the flexible frameworks found in China's current cultural and economic management models, evoked through the formalization and implementation of spiritual civilization and which manifest within government media policy and regulations.
