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Susana Scramim - One of the best experts on this subject based on the ideXlab platform.

  • teatralizacoes femininas cecilia meireles e sophia de mello breyner andresen tradutoras female Theatrical Performances cecilia meireles and sophia de mello breyner andresen translators
    O Eixo e a Roda: Revista de Literatura Brasileira, 2020
    Co-Authors: Susana Scramim
    Abstract:

    Resumo: O objetivo desta reflexao e comparar as praticas de escrita de duas poetas, a saber, Sophia de Mello Breyner Andresen e Cecilia Meireles, com as traducoes que fizeram, respectivamente, de Hamlet , Shakespeare, em 1987, e Orlando , Virginia Woolf, em 1948. A partir da analise dessas traducoes, comparadas a alguns poemas de ambas as poetas, pretende-se desenvolver a afirmacao de Giorgio Agamben (2007) de que o poeta moderno elabora sua subjetividade sem deixar que esta fique marcada por um “lugar” ao qual ela devesse “retornar” em nome de uma originalidade primordial de sua palavra lirica. O sujeito decorrente desse processo esta livre para viver esse momento presente no qual ele se encontra com sua incompletude e compreende que e feito de uma angustia analisavel. Contemplar a linguagem e o modo de produzir subjetividades nao essenciais. A traducao e um dos modos mais eficientes de se pensar a palavra. Sendo operada por deslocamentos incessantes, a pratica da traducao e um interrogar-se sem cessar – e angustiadamente – pelo sentido da materialidade mesma da estrutura da palavra sem alcancar o sentido pleno do que e traduzido. A traducao faz surgir de um ato objetivo uma potencia subjetiva, pois de seu vazio de conteudo pode ser dito algo de novo. Palavras-chave: Sophia de Mello Breyner Andresen; Cecilia Meireles; poesia brasileira; poesia portuguesa; traducao. Abstract: The purpose of this reflection is to compare the writing practices of the two poets, Sophia de Mello Breyner Andresen and Cecilia Meireles, with the translations they made of Hamlet , Shakespeare, Breyner in 1987, and Orlando , Virginia Woolf, by Meireles in 1948. From the analysis of these translations, compared to some poems of both poets, it is intended to develop Giorgio Agamben’s (2007) claim that the modern poets elaborate their subjectivity without allowing it to be marked by a “place” to which they owe “return” in the name of a primordial originality of their lyrical word. The subject resulting from this process is free to live in this present moment in which they find themselves with their incompleteness and understand that they are made of an analyzable anguish. Contemplating language is the way to produce non-essential subjectivities. Translation is one of the most efficient ways of thinking about the word. Being operated by incessant displacements, translating is to constantly interrogate and distress oneself for the meaning of the very materiality of the word structure without reaching the full meaning of what is translated. Translation gives rise to subjective power from an objective act, because something new can be said of its content void. Keywords: Sophia de Mello Breyner Andresen; Cecilia Meireles; Brazilian poetry; Portuguese poetry; translation.

Stephanie Theodotou - One of the best experts on this subject based on the ideXlab platform.

Panayiotis Agisilaou - One of the best experts on this subject based on the ideXlab platform.

Berna Ekim - One of the best experts on this subject based on the ideXlab platform.

  • a video projection mapping conceptual design and application yekpare
    The Turkish Online Journal of Design Art and Communication, 2011
    Co-Authors: Berna Ekim
    Abstract:

    Can recent developments in video projection techniques aid us in finding new ways of expressing our creativity and creative audio-visual works on a new surface other than the screen? Video Mapping is one of the newest video projection techniques that are used to turn almost any surface into a dynamic video display. The aim of video mapping is to create a physical illusion of images by combining audio-visual elements. Most of the mapping projects are used in fashion shows, corporate events, concerts and Theatrical Performances. Lately a new trend of video mapping system is being used on architectural and historical structures, buildings and displayed in public spaces to reach a wider audience. This paper will focus on 3 aspects of video mapping and its application; 1) the technical aspects of video mapping and its tools. 2) the conceptual development of the project YEKPARE and the application of video mapping on Haydarpasa Terminal within the Istanbul 2010 European Capital of Culture events. 3) the feedback from the audiences who have experienced the performance and the effects of video mapping.

  • a video projection mapping conceptual design and application yekpare
    The Turkish Online Journal of Design Art and Communication, 2011
    Co-Authors: Berna Ekim
    Abstract:

    Can recent developments in video projection techniques aid us in finding new ways of expressing our creativity and creative audio-visual works on a new surface other than the screen? Video Mapping is one of the newest video projection techniques that are used to turn almost any surface into a dynamic video display. The aim of video mapping is to create a physical illusion of images by combining audio-visual elements. Most of the mapping projects are used in fashion shows, corporate events, concerts and Theatrical Performances. Lately a new trend of video mapping system is being used on architectural and historical structures, buildings and displayed in public spaces to reach a wider audience. This paper will focus on 3 aspects of video mapping and its application; 1) the technical aspects of video mapping and its tools. 2) the conceptual development of the project YEKPARE and the application of video mapping on Haydarpasa Terminal within the Istanbul 2010 European Capital of Culture events. 3) the feedback from the audiences who have experienced the performance and the effects of video mapping.

Mateus, Ana Jacqueline Melo De Almeida São - One of the best experts on this subject based on the ideXlab platform.

  • O drama de quem foge de cenários de conflitos : o teatro como componente sociocultural de integração de refugiados em Lisboa
    2020
    Co-Authors: Mateus, Ana Jacqueline Melo De Almeida São
    Abstract:

    Este trabalho é o resultado da investigação realizada no âmbito do segundo ciclo em Estudos de Teatro da Universidade de Lisboa. Consiste num estudo de casos-projeto a partir do levantamento de projetos de integração sociocultural de refugiados na região metropolitana de Lisboa, tendo em vista quatro entidades especializadas – O Grupo de Trabalho da Agenda Europeia para as Migrações, o Conselho Português para os Refugiados, a Plataforma de Apoio aos Refugiados e o Serviço Jesuíta aos Refugiados. Em complemento, o estudo engloba, ainda, o mapeamento de espetáculos teatrais, produzidos e encenados em Lisboa, que retratam a temática das migrações forçadas. O objetivo geral foi analisar como e em qual medida as artes, nomeadamente o Teatro, têm contribuído, enquanto instrumentos privilegiados de intervenção, no processo de integração sociocultural de refugiados em Lisboa. A partir de uma estratégia qualitativa, foram analisadas as peculiaridades de quatro espetáculos teatrais e nove projetos que associam as dimensões artística e cultural ao processo de integração social de refugiados, tendo em consideração seus objetivos, impactos e contributos no processo de integração e participação sociocultural deste segmento da população. Intenta-se compreender o fenômeno das práticas artísticas, especificamente o fazer teatral, enquanto caminho facilitador de intervenção sociocultural, de maneira a articular o objeto de estudo com reflexões pessoais e a revisão bibliográfica, estabelecendo um diálogo a nível micro (Lisboa), meso (Portugal) e macro (União Europeia). Foi explanado como os projetos e espetáculos influenciam na promoção da integração sociocultural destes sujeitos, sendo também apresentadas e analisadas duas experiências a nível de União Europeia, como meios de confrontação e exemplos a serem seguidos.This work is the result of research carried out within the scope of the Master’s in Theater Studies at the University of Lisbon. It consists of a study of Project-cases based on the survey of projects for the socio-cultural integration of refugees in the metropolitan region of Lisbon, with a view to four specialized entities - The Working Group on the European Agenda for Migration, the Portuguese Council for Refugees, the Refugee Support Platform and the Jesuit Refugee Service. In addition, the study also includes the mapping of Theatrical shows, produced and staged in Lisbon, which portray the theme of forced migration. The general objective was to analyze how and to what extent the arts, namely Theater, have contributed, as privileged instruments of intervention, in the process of socio-cultural integration of refugees in Lisbon. From a qualitative strategy, the peculiarities of four Theatrical Performances and nine projects that associate the artistic and cultural dimensions to the process of social integration of refugees were analyzed, taking into account their objectives, impacts and contributions in the process of integration and socio-cultural participation of this segment of the population. It is intended to understand the phenomenon of artistic practices, specifically the making of theater, as a path that facilitates socio-cultural intervention, in order to articulate the object of study with personal reflections and bibliographic review, establishing a dialogue at the micro (Lisbon), meso ( Portugal) and macro (European Union). It was explained how the projects and shows influence the promotion of the socio-cultural integration of these subjects, and two experiences at European Union level were also presented and analyzed, as means of confrontation and examples to be followed