The Experts below are selected from a list of 318 Experts worldwide ranked by ideXlab platform
Pierre Taberlet - One of the best experts on this subject based on the ideXlab platform.
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Development of microsatellite multiplexes for Wild Goats using primers designed from domestic Bovidae
Genetics Selection Evolution, 2001Co-Authors: C. Maudet, Gordon Luikart, Pierre TaberletAbstract:Many Wild Goat taxa (Capra spp.) are endangered and would benefit from the availability of molecular tools that are useful for population management and conservation. We developed microsatellite DNA markers useful in all Wild Goat species, by using a cross-species amplification approach. Seventy-five microsatellite primer pairs designed from domestic cattle (Bos taurus), sheep (Ovis aries) and Goat (Capra hircus) were tested on three distantly related Capra species: C. ibex ibex, C. [i.] sibirica, and C. pyrenaica. On average, 90% of the domestic ungulate primers amplified a microsatellite PCR product in the Wild Goat species. Forty percent of the total were polymorphic in C. i. ibex, which is expected to have the lowest genetic diversity among all Capra species. We developed multiplexes of 24 polymorphic fluorescent microsatellite loci that can be amplified in 13 PCR reactions and loaded into two gel-lanes. These microsatellites will allow studies of conservation and population ecology in all Capra species, and the multiplexes will reduce the time and cost of the genetic analyses.
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Identification of evolutionary significant units in the Spanish Wild Goat, Capra pyrenaica (Mammalia, Artiodactyla)
Animal Conservation, 1999Co-Authors: Valérie Manceau, Jean-paul Crampe, Pierre Boursot, Pierre TaberletAbstract:The Pyrenean population of Spanish Wild Goat (Capra pyrenaica pyrenaica) is nearly extinct. To find the most appropriate source of individuals for supplementing the Pyrenean population, we identified Evolutionary Significant Units (ESUs) among populations of the Capra pyrenaica species. We have examined sequence variability of portions of the mitochondrial DNA (mtDNA) control region and cytochrome b (cyt b) gene. Samples were from seven populations of Spanish Wild Goat distributed over the species' geographic range. The level of divergence between the Pyrenean and other Spanish haplotypes is almost as high as the divergence between the Alpine (C. ibex ibex) and the Spanish Wild Goats. In addition, the Pyrenean Goat is morphologically distinct from other Spanish Wild Goats. Therefore the Pyrenean population should be considered as an ESU. For the reinforcement, we suggest either using individuals from the most polymorphic Spanish population, or mixing individuals from diverse Spanish origins, since all the other Spanish populations are equally genetically distant from the Pyrenean population.
Robert Manuel Cook - One of the best experts on this subject based on the ideXlab platform.
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A List of Carian Orientalizing Pottery
Oxford Journal of Archaeology, 1999Co-Authors: Robert Manuel CookAbstract:This paper lists over a hundred Carian pots. It is suggested that in Caria, Subgeometric was dominant till about the end of the seventh century BC, that a tentative Wild Goat style emerged towards the end of that century, that about the 570s the Bochum painter established a coherent version of that style and eventually experimented with the Fikellura style, and that his successors relapsed into incoherence.
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A CARIAN Wild Goat WORKSHOP
Oxford Journal of Archaeology, 1993Co-Authors: Robert Manuel CookAbstract:Summary: A number of Carian pots from the neighbourhood of Mylasa are attributed to one painter and his workshop. Their decoration is in a Wild Goat style and, presumably later, a Fikellura style. Their date therefore can hardly be earlier than the second quarter of the sixth century. Miletus was the leading producer of Wild Goat pottery in the seventh century and of Fikellura from the mid sixth, and it was the nearest important Greek city to Mylasa. Since the painter's predecessors and he himself in his Fikellura work used Milesian models, it is likely that he had Milesian models too for his Wild Goat style (which is not North Ionian). This implies that a Middle Wild Goat style survived at Miletus into the second quarter of the sixth century, when it was succeeded by Fikellura.
Mario Denti - One of the best experts on this subject based on the ideXlab platform.
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The circulation of Wild Goat Style pottery (MWGS I) from the Black Sea to Western Greece : reception and destination
Aristej Aristeas, 2016Co-Authors: Mario DentiAbstract:The author studies a group of Middle Wild Goat Style I pottery (mainly oinochoai and dinoi) that was made by one workshop, active in South Ionia in the third quarter of the seventh century BC. These are prestigious products with high-quality decoration and intended for export. They were found in both indigenous and Greek settlements in the Black Sea area (Temir Gora), the Western Mediterranean (Vulci, Incoronata, Siris, and Gela), and at the Samian Heraion. Their circulation, typical of the orientalizing hellenization of early archaic elites, helps us to understand their destinations and function. The contexts they were discovered in, exclusively sanctuaries and cemeteries, allow us to define them as pottery used for ritual. Their distribution also had an important effect on potters who had emigrated from Eastern Greece to Western Greece ("West Wild Goat Style").
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la circulation de la ceramique du Wild Goat style mwgs i de la mer noire a l occident
Revue Archeologique, 2008Co-Authors: Mario DentiAbstract:L’auteur etudie un groupe de vases du « Middle Wild Goat Style » I (notamment des oenochoes et des deinoi) attribuables a un meme atelier actif en Ionie meridionale pendant le troisieme quart du VIIe siecle av. J.-C. Ces produits de prestige, caracterises par une decoration figuree de tres haute qualite, etaient destines a l’exportation : ils ont ete decouverts dans les etablissements indigenes et grecs de la mer Noire (Temir Gora), de la Mediterranee occidentale (Vulci, Incoronata, Siris, Gela) et a l’Heraion de Samos. Leur circulation, qui illustre le phenomene de l’hellenisation des elites du debut de l’epoque archaique, a caractere orientalisant, permet d’en saisir la destination et la fonction : les lieux de decouverte – exclusivement les sanctuaires et les necropoles – nous amenent a situer l’utilisation de ces ceramiques dans le cadre de pratiques rituelles. Leur diffusion a egalement eu des consequences importantes sur l’activite des ceramistes emigres de la Grece de l’Est vers l’Occident ( « Wild Goat Style d’Occident » ).
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The Circulation of Wild Goat Style Pottery (MWGS I) from the Black Sea to Western Greece
Revue Archeologique, 2008Co-Authors: Mario DentiAbstract:The author studies a group of Middle Wild Goat Style I pottery (mainly oinochoai and dinoi) that was made by one workshop, active in South Ionia in the third quarter of the seventh century BC. These are prestigious products with high-quality decoration and intended for export. They were found in both indigenous and Greek settlements in the Black Sea area (Temir Gora), the Western Mediterranean (Vulci, Incoronata, Siris, and Gela), and at the Samian Heraion. Their circulation, typical of the orientalizing hellenization of early archaic elites, helps us to understand their destinations and function. The contexts they were discovered in, exclusively sanctuaries and cemeteries, allow us to define them as pottery used for ritual. Their distribution also had an important effect on potters who had emigrated from Eastern Greece to Western Greece ("West Wild Goat Style").
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la circulation de la ceramique du Wild Goat style mwgs i de la mer noire a l occident les contextes de reception et de destination
Revue Archeologique, 2008Co-Authors: Mario DentiAbstract:L’auteur etudie un groupe de vases du « Middle Wild Goat Style » I (notamment des oenochoes et des deinoi) attribuables a un meme atelier actif en Ionie meridionale pendant le troisieme quart du VIIe siecle av. J.-C. Ces produits de prestige, caracterises par une decoration figuree de tres haute qualite, etaient destines a l’exportation : ils ont ete decouverts dans les etablissements indigenes et grecs de la mer Noire (Temir Gora), de la Mediterranee occidentale (Vulci, Incoronata, Siris, Gela) et a l’Heraion de Samos. Leur circulation, qui illustre le phenomene de l’hellenisation des elites du debut de l’epoque archaique, a caractere orientalisant, permet d’en saisir la destination et la fonction : les lieux de decouverte – exclusivement les sanctuaires et les necropoles – nous amenent a situer l’utilisation de ces ceramiques dans le cadre de pratiques rituelles. Leur diffusion a egalement eu des consequences importantes sur l’activite des ceramistes emigres de la Grece de l’Est vers l’Occident ( « Wild Goat Style d’Occident » ).
R.m. Cook - One of the best experts on this subject based on the ideXlab platform.
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THE Wild Goat and FIKELLURA STYLES: SOME SPECULATIONS
Oxford Journal of Archaeology, 1992Co-Authors: R.m. CookAbstract:Summary: It is suggested that the Wild Goat style began and was formed at Miletus and later was adopted with variations by other East Greek cities, and that when around 600 BC the North Ionian school developed a successful incising style, the old style persisted elsewhere, probably till the advent of Fikellura about 560 BC. Fikellura, it is argued, was a sudden creation, without a long transitional stage.
Ernst Pernicka - One of the best experts on this subject based on the ideXlab platform.
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Wild Goat style ceramics at Troy and the impact of Archaic period colonisation on the Troad
Anatolian Studies, 2013Co-Authors: Carolyn C. Aslan, Ernst PernickaAbstract:The establishment of colonies along the Hellespont by inhabitants of Ionia, Athens and Lesbos is well-known from historical texts. Recently, stratified contexts at Troy as well as other surveys and excavations have yielded new information about the chronology and material markers of Archaic period settlements in the Troad and the Gallipoli peninsula. The archaeological evidence for colonisation in this region is not clearly seen until the late seventh to early sixth century BC when there is a dramatic change in the material culture. Destruction evidence from Troy indicates that the new settlers probably entered a weakened and depopulated region in the second half of the seventh century BC. The Ionian colonists transplanted their pottery traditions and started production of East Greek style ceramics in the Troad. Neutron Activation Analysis of Wild Goat style ceramics found at Troy offers further confirmation for the existence of Hellespontine Wild Goat style ceramic production centres. The Wild Goat style examples from Troy help to define the characteristics of the Hellespontine group, as well as the chronology and impact of colonisation in this area. Ozet
