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Žukauskas Darius - One of the best experts on this subject based on the ideXlab platform.

  • Iconography of altar images of the Benedictine sanctuaries in the Grand Duchy of Lithuania
    Vytauto Didžiojo universitetas, 2019
    Co-Authors: Žukauskas Darius, Vytauto Didžiojo Universitetas
    Abstract:

    It is usually the paintings and sculptures that are permanently used in the altar retable of the church, that best represents the spirituality and artistic peculiarity of the specific Monastic Order. This dissertation is dedicated to research church art of this kind, which were functioning at the sanctuaries of Benedictines in Grand Duchy of Lithuania. This study includes altar images, which are main ones and those which accompanies them in the same equipment structure. The aim of this dissertation is to reconstruct entirety of altar images used in Benedictine churches based in the Grand Duchy of Lithuania, investigate the iconography of surviving images and reveal its specifics. The first part of dissertation is dedicated to reconstruction of the entirety of altar images, in which Benedictine adaptation to the local devotional traditions and afterward tendency of strengthening Benedictine spirituality expression through art is emphasized. In the subsequent parts images of Christ, Holy Trinity and Virgin Mary, which are general to Catholic church, and the images of essential and most popular saints of this Monastic Order in GDL is being analyzed. Last part of dissertation is dedicated to reveal the iconography of sculptures created for the retables of Vilnius St. Catherine church and their significance in the context of interior decoration

  • Altorinių atvaizdų ikonografija Lietuvos Didžiosios Kunigaikštystės benediktinų šventovėse
    Vytauto Didžiojo universitetas, 2019
    Co-Authors: Žukauskas Darius
    Abstract:

    It is usually the paintings and sculptures that are permanently used in the altar retable of the church, that best represents the spirituality and artistic peculiarity of the specific Monastic Order. This dissertation is dedicated to research church art of this kind, which were functioning at the sanctuaries of Benedictines in Grand Duchy of Lithuania. This study includes altar images, which are main ones and those which accompanies them in the same equipment structure. The aim of this dissertation is to reconstruct entirety of altar images used in Benedictine churches based in the Grand Duchy of Lithuania, investigate the iconography of surviving images and reveal its specifics. The first part of dissertation is dedicated to reconstruction of the entirety of altar images, in which Benedictine adaptation to the local devotional traditions and afterward tendency of strengthening Benedictine spirituality expression through art is emphasized. In the subsequent parts images of Christ, Holy Trinity and Virgin Mary, which are general to Catholic church, and the images of essential and most popular saints of this Monastic Order in GDL is being analyzed. Last part of dissertation is dedicated to reveal the iconography of sculptures created for the retables of Vilnius St. Catherine church and their significance in the context of interior decoration.Įprastai tam tikros vienuolijos dvasingumą bei meninį savitumą esmingai atskleidžia tapybiniai ir skulptūriniai atvaizdai, permanentiškai įtaisyti bažnyčių altorių retabuluose. Disertacija skirta nagrinėti šio pobūdžio bažnytinio meno kūriniams, funkcionavusiems Lietuvos Didžiojoje Kunigaikštystėje susiformavusio benediktinų vienuolijos tinklo šventovėse. Į tyrimą įtraukiami tituliniai ir juos retabuluose papildantys, konkrečius šventuosius asmenis perteikiantys atvaizdai. Disertacijoje keliamas tyrimo tikslas – rekonstruoti šių atvaizdų visumą, ištirti išlikusių kūrinių ikonografiją ir atskleisti jos ypatybes. Pirmoji dalis skiriama altorinių atvaizdų visumos rekonstrukcijai, kurioje išryškintas benediktinų prisitaikymo prie vietinio pamaldumo pobūdis ir palaipsniui ryškėjanti tendencija - stiprinti benediktiniškojo dvasingumo raišką per menines formas. Vėliau nagrinėjama katalikų bažnyčiai bendrų kristologinių, trinitologinių, mariologinių temų bei populiariausių tarp LDK benediktinų šios vienuolijos šventųjų atvaizdų ikonografija. Paskutinioji dalis skirta atskleisti Vilniaus Šv. Kotrynos bažnyčios retabulams sukurto šventųjų benediktinų skulptūrų rinkinio ikonografiją ir reikšmę interjero puošybos kontekste.Menų fakultetasMenotyros katedr

  • Iconography of altar images of the Benedictine sanctuaries in the Grand Duchy of Lithuania
    Vytauto Didžiojo universitetas, 2019
    Co-Authors: Žukauskas Darius
    Abstract:

    Įprastai tam tikros vienuolijos dvasingumą bei meninį savitumą esmingai atskleidžia tapybiniai ir skulptūriniai atvaizdai, permanentiškai įtaisyti bažnyčių altorių retabuluose. Disertacija skirta nagrinėti šio pobūdžio bažnytinio meno kūriniams, funkcionavusiems Lietuvos Didžiojoje Kunigaikštystėje susiformavusio benediktinų vienuolijos tinklo šventovėse. Į tyrimą įtraukiami tituliniai ir juos retabuluose papildantys, konkrečius šventuosius asmenis perteikiantys atvaizdai. Disertacijoje keliamas tyrimo tikslas – rekonstruoti šių atvaizdų visumą, ištirti išlikusių kūrinių ikonografiją ir atskleisti jos ypatybes. Pirmoji dalis skiriama altorinių atvaizdų visumos rekonstrukcijai, kurioje išryškintas benediktinų prisitaikymo prie vietinio pamaldumo pobūdis ir palaipsniui ryškėjanti tendencija - stiprinti benediktiniškojo dvasingumo raišką per menines formas. Vėliau nagrinėjama katalikų bažnyčiai bendrų kristologinių, trinitologinių, mariologinių temų bei populiariausių tarp LDK benediktinų šios vienuolijos šventųjų atvaizdų ikonografija. Paskutinioji dalis skirta atskleisti Vilniaus Šv. Kotrynos bažnyčios retabulams sukurto šventųjų benediktinų skulptūrų rinkinio ikonografiją ir reikšmę interjero puošybos kontekste.It is usually the paintings and sculptures that are permanently used in the altar retable of the church, that best represents the spirituality and artistic peculiarity of the specific Monastic Order. This dissertation is dedicated to research church art of this kind, which were functioning at the sanctuaries of Benedictines in Grand Duchy of Lithuania. This study includes altar images, which are main ones and those which accompanies them in the same equipment structure. The aim of this dissertation is to reconstruct entirety of altar images used in Benedictine churches based in the Grand Duchy of Lithuania, investigate the iconography of surviving images and reveal its specifics. The first part of dissertation is dedicated to reconstruction of the entirety of altar images, in which Benedictine adaptation to the local devotional traditions and afterward tendency of strengthening Benedictine spirituality expression through art is emphasized. In the subsequent parts images of Christ, Holy Trinity and Virgin Mary, which are general to Catholic church, and the images of essential and most popular saints of this Monastic Order in GDL is being analyzed. Last part of dissertation is dedicated to reveal the iconography of sculptures created for the retables of Vilnius St. Catherine church and their significance in the context of interior decoration.Menų fakultetasMenotyros katedr

Tylová Kateřina - One of the best experts on this subject based on the ideXlab platform.

  • The monasteries of Cistercians in Tuscany: filiations of San Galgano founded in 13th century
    2019
    Co-Authors: Tylová Kateřina
    Abstract:

    The topic of the diploma thesis is the activity of the Cistercian Monastic Order in the area of Tuscany. During the main wave of founding the Cistercian monasteries in Italy, the area of Tuscany, whose medieval boundaries roughly correspond to its current ones, was under major political influence of Florence, Siena, Pisa and Lucca. Most monasteries in the region were founded in the vicinity of these cities. This work aims to contribute to the discoveries about the influence of these cities and their elites on the establishing of foundation of the white monks in Tuscany. The goal of this work is an analysis of circumstances and causes of the arrival of the Cistercians in the Tuscany region, where they arrived relatively late, compared to other Italian regions. The work focuses on the specificities of the Cistercian movement of the foundation of monasteries. The fist Cistercian foundation in Tuscany was the monastery San Galgano. Most of the Cistercian abbeys in the region predominantly from the 13th century was affiliated with San Galgano. The diploma thesis aims to describe the development of the Cistercian Order and its monasteries in the area by exploring specific Cistercian foundations in Tuscany. Possibly the most important monastery in the region was San Galgano, which served as the maternal monastery..

  • The monasteries of Cistercians in Tuscany: filiations of San Galgano founded in 13th century
    Univerzita Karlova Filozofická fakulta, 2019
    Co-Authors: Tylová Kateřina
    Abstract:

    The topic of the diploma thesis is the activity of the Cistercian Monastic Order in the area of Tuscany. During the main wave of founding the Cistercian monasteries in Italy, the area of Tuscany, whose medieval boundaries roughly correspond to its current ones, was under major political influence of Florence, Siena, Pisa and Lucca. Most monasteries in the region were founded in the vicinity of these cities. This work aims to contribute to the discoveries about the influence of these cities and their elites on the establishing of foundation of the white monks in Tuscany. The goal of this work is an analysis of circumstances and causes of the arrival of the Cistercians in the Tuscany region, where they arrived relatively late, compared to other Italian regions. The work focuses on the specificities of the Cistercian movement of the foundation of monasteries. The fist Cistercian foundation in Tuscany was the monastery San Galgano. Most of the Cistercian abbeys in the region predominantly from the 13th century was affiliated with San Galgano. The diploma thesis aims to describe the development of the Cistercian Order and its monasteries in the area by exploring specific Cistercian foundations in Tuscany. Possibly the most important monastery in the region was San Galgano, which served as the maternal monastery...Diplomová práce se zabývá rozšířením a působením mnišského řeholního řádu cisterciáků v oblasti Toskánska. Na území tohoto významného italského regionu, jehož středověké hranice se téměř shodují se současnými, uplatňovala během hlavní vlny zakládání cisterciáckých klášterů v Itálii svůj politický vliv zejména města: Florence, Siena, Pisa a Lucca, v jejichž okolí také vznikla většina řeholních domů cisterciáků v regionu. Přínosem tohoto příspěvku je mimo jiné zjištění vlivu těchto měst a jejich elit na zakládání fundací bílých mnichů v Toskánsku. Cílem práce je analýza okolností a příčin příchodu cisterciáků na toskánské území a osvětlení jejich specifického působení v Toskánsku, kam se rozšířili ve srovnání s ostatními italskými regiony poměrně pozdě. Práce se soustředí na specifičnost hnutí zakládání klášterů v Toskánsku, kde byl jako první fundace cisterciáků založen klášter San Galgano, v jehož linii pak zejména během 13. století vznikla většina cisterciáckých opatství regionu. Záměrem a ambicí práce je skrze konkrétní cisterciácké fundace v Toskánsku nastínit vývoj cisterciáckého řádu a jeho klášterů na území toskánského regionu. Pravděpodobně nejvýznamnějším klášterem regionu byl San Galgano, jenž se stal mateřským klášterem mnoha dalších toskánských fundací cisterciáků, které byly zakládány od 13....Ústav světových dějinInstitute of General HistoryFaculty of ArtsFilozofická fakult

Janet Burton - One of the best experts on this subject based on the ideXlab platform.

  • the Monastic Order in yorkshire 1069 1215
    1999
    Co-Authors: Janet Burton
    Abstract:

    Preface List of abbreviations Table of Monastic foundations in Yorkshire, by Order, congregation or type Maps Introduction Part I. The Dynamics of Expansion: 1. From hermitage to abbey: the black monks in Yorkshire 2. Alien monks and Cluniac priories 3. The regular canons 4. The surest road to heaven: the coming of the Cistercians 5. Religious women Part II. The Life Within and the World Outside: 6. The Monastic world 7. Founders, patrons and benefactors 8. Monasteries and the landscape 9. Financing the monastery: the management of economic resources 10. Cultural influences and identities Conclusion Select bibliography Index.

  • the Monastic Order in yorkshire 1069 1215 cultural influences and identities
    1999
    Co-Authors: Janet Burton
    Abstract:

    Monasteries and nunneries were institutions which were, in some senses, cut off from the world. Some were independent, self-governing institutions; others were members of a wider, international Order or organization. Yet how did members of the Yorkshire religious houses view themselves? What did they perceive to be their cultural identity? Was it determined by their Monastic affiliation and belonging? Or did they, despite the universal and international character of their vocation, continue to feel their cultural leanings to be rooted in the locality from which they came? Such questions are not easy to answer, but the traces are there in the literary and material culture – the books, manuscripts, and buildings – which the Monastic Order in the county has bequeathed. The evidence is once more incomplete. Manuscripts can be identified from only a minority of houses; the production of literary, historical, and theological writings are limited to a few individuals; and the surviving buildings dating from before c . 1215 are dominated by the large male houses. The first part of this chapter reviews the evidence for the collection and transmission of manuscripts, and the writings produced in Yorkshire monasteries, and discusses the implications for their cultural contacts and identities. The second part considers the material remains of the Monastic buildings primarily from the point of view of what they suggest about cultural contacts and influences. Manuscripts and Writers In contrast to the cathedral priory of Durham and the great Benedictine abbeys of the south and the midlands, the evidence for the contents of the libraries of the Yorkshire monasteries is meagre.

Autio Hanna - One of the best experts on this subject based on the ideXlab platform.

  • Historically Based Room Acoustic Analysis and Auralization ofa Church in the 1470s
    'MDPI AG', 2021
    Co-Authors: Autio Hanna, Barbagallo Mathias, Ask Carolina, Bard Hagberg Delphine, Lindqvist Sandgren Eva, Strinnholm Lagergren Karin
    Abstract:

    Worship space acoustics have been established as an important part of a nation’s cultural heritage and area of acoustic research, but more research is needed regarding the region of northern Europe. This paper describes the historical acoustics of an important abbey church in Sweden in the 1470s. A digital historical reconstruction is developed. Liturgical material specific to this location is recorded and auralized within the digital reconstruction, and a room acoustic analysis is performed. The analysis is guided by liturgical practices in the church and the Monastic Order connected to it. It is found that the historical sound field in the church is characterized by the existence of two distinct acoustical subspaces within it, each corresponding to a location dedicated to the daily services of the Monastical congregations. The subspaces show significantly better acoustic conditions for liturgical activities compared to the nave, which is very reverberant under the conditions of daily services. Acoustic transmission from the two subspaces is limited, indicating that the Monastic congregations were visually and acoustically separated from the visitors in the nave and each other

  • Historically Based Room Acoustic Analysis and Auralization of a Church in the 1470s
    'MDPI AG', 2021
    Co-Authors: Autio Hanna, Barbagallo Mathias, Ask Carolina, Lindqvist Sandgren Eva, Hagberg, Delphine Bard, Lagergren, Karin Strinnholm
    Abstract:

    Worship space acoustics have been established as an important part of a nation's cultural heritage and area of acoustic research, but more research is needed regarding the region of northern Europe. This paper describes the historical acoustics of an important abbey church in Sweden in the 1470s. A digital historical reconstruction is developed. Liturgical material specific to this location is recorded and auralized within the digital reconstruction, and a room acoustic analysis is performed. The analysis is guided by liturgical practices in the church and the Monastic Order connected to it. It is found that the historical sound field in the church is characterized by the existence of two distinct acoustical subspaces within it, each corresponding to a location dedicated to the daily services of the Monastical congregations. The subspaces show significantly better acoustic conditions for liturgical activities compared to the nave, which is very reverberant under the conditions of daily services. Acoustic transmission from the two subspaces is limited, indicating that the Monastic congregations were visually and acoustically separated from the visitors in the nave and each other

Vytauto Didžiojo Universitetas - One of the best experts on this subject based on the ideXlab platform.

  • Iconography of altar images of the Benedictine sanctuaries in the Grand Duchy of Lithuania
    Vytauto Didžiojo universitetas, 2019
    Co-Authors: Žukauskas Darius, Vytauto Didžiojo Universitetas
    Abstract:

    It is usually the paintings and sculptures that are permanently used in the altar retable of the church, that best represents the spirituality and artistic peculiarity of the specific Monastic Order. This dissertation is dedicated to research church art of this kind, which were functioning at the sanctuaries of Benedictines in Grand Duchy of Lithuania. This study includes altar images, which are main ones and those which accompanies them in the same equipment structure. The aim of this dissertation is to reconstruct entirety of altar images used in Benedictine churches based in the Grand Duchy of Lithuania, investigate the iconography of surviving images and reveal its specifics. The first part of dissertation is dedicated to reconstruction of the entirety of altar images, in which Benedictine adaptation to the local devotional traditions and afterward tendency of strengthening Benedictine spirituality expression through art is emphasized. In the subsequent parts images of Christ, Holy Trinity and Virgin Mary, which are general to Catholic church, and the images of essential and most popular saints of this Monastic Order in GDL is being analyzed. Last part of dissertation is dedicated to reveal the iconography of sculptures created for the retables of Vilnius St. Catherine church and their significance in the context of interior decoration